David Hemmings
Marcus Daly
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Box office. ₤ 3,709 billion (Italy) $ 629,903 (United States) Deep Red ( Italian: Profondo rosso ), also known as The Hatchet Murders, is a 1975 Italian giallo film directed by Dario Argento and co-written by Argento and Bernardino Zapponi. It stars David Hemmings as a musician who investigates a series of murders performed by a mysterious ...
Jun 11, 1976 · Deep Red: Directed by Dario Argento. With David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril. A jazz pianist and a wisecracking journalist are pulled into a complex web of mystery after the former witnesses the brutal murder of a psychic.
- (43K)
- Horror, Mystery, Thriller
- Dario Argento
- 1976-06-11
A psychic medium (Macha Méril) is brutally murdered, and musician Marcus Daly (David Hemmings) feels a need to solve the case, since he was the one who discovered the body. Working with him is ...
- (29)
- Dario Argento
- R
- David Hemmings
A jazz pianist and a wisecracking journalist are pulled into a complex web of mystery after the former witnesses the brutal murder of a psychic. A psychic who can read minds picks up the thoughts of a murderer in the audience and soon becomes a victim. An English pianist gets involved in solving the murders, but finds many of his avenues of ...
Nov 4, 2021 · The film has a very simple colour palette, made up mostly of blacks and whites, but red is thrown in pretty liberally where needed. The red can range from a small amount of blood dripping from a knife to a large auditorium dressed in red curtains. The reds look absolutely brilliant, rich and deep with a hint of rust, and there is a very wide ...
Oct 19, 2023 · Much like the visual edit, the film’s soundscape walks on a tightrope. At once, the synth score is undercut by this diegetic music, and almost abruptly, as the credits return, so do Goblin’s wild tunes. The interplay of the score and music from within the scene is something Argento returns to, enhancing the horror that unfolds.
Jun 10, 1976 · Deep Red is a horror classic that really pushes the limits of a 'who-dunnit'. Probably my favourite film directed by Argento. The full cut of the film is partially in english and partially in italian as the American producers were heavy handed at cutting scenes, therefore the dialogue was not overdubbed in english.
