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  1. en.wikipedia.org › wiki › Signs_(film)Signs (film) - Wikipedia

    Signs explores the themes of faith, kinship and extraterrestrials. Signs premiered in theaters on August 2, 2002. The film was a financial success, grossing $408 million on a $72 million budget, and was met with positive reviews from critics, with many praising its atmosphere, cinematography, score and story, but others criticizing aspects of ...

  2. www.imdb.com › title › tt0286106Signs (2002) - IMDb

    Aug 2, 2002 · Signs: Directed by M. Night Shyamalan. With Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin. A widowed former reverend living with his children and brother on a Pennsylvania farm finds mysterious crop circles in their fields, which suggests something more frightening to come.

    • (386K)
    • Drama, Mystery, Sci-Fi
    • M. Night Shyamalan
    • 2002-08-02
  3. Synopsis. The Hess family lives on a farm in Doylestown, Bucks County, Pennsylvania. Graham Hess (Mel Gibson) is a former Episcopal priest who lost his faith in God after his wife, Colleen, died in a horrific traffic accident caused by a veterinarian named Ray Reddy (played by M. Night Shyamalan). Additionally, Graham cannot come to terms with ...

  4. Aug 2, 2002 · Everything that farmer Graham Hess (Mel Gibson) assumed about the world is changed when he discovers a message - an intricate pattern of circles and lines - carved into his crops. As he ...

    • (240)
    • M. Night Shyamalan
    • PG-13
    • Mel Gibson
  5. Signs. HD. Mel Gibson plays a former minister who must lead his family against a terrifying supernatural threat in this hit thriller. The price before discount is the median price for the last 90 days. Rentals include 30 days to start watching this video and 48 hours to finish once started.

    • 106 min
  6. Signs (2002) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse ...

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  8. Aug 2, 2002 · M. Night Shyamalan's "Signs" is the work of a born filmmaker, able to summon apprehension out of thin air. When it is over, we think not how little has been decided, but how much has been experienced. Here is a movie in which the plot is the rhythm section, not the melody. A movie that stays free of labored explanations and a forced climax, and is about fear in the wind, in the trees, in a dog ...

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