Esther (1999 film)
2000
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- Meg Shields
- Stalker. A guide (known as a "stalker") shepherds two curious men through a bizarre area known as "the Zone." Mysterious and forbidden, the Zone is a physics-defying land at the epicenter of an unspeakable extraterrestrial tragedy.
- Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. This is the way the world ends: Not with a bang, but with miscommunication and politicians fighting in the war room.
- The Thing. The stir-crazy residents of an Antarctic research station find themselves in a Lovecraftian nightmare when the dog they rescued explodes into a fleshy mass of spider legs and bullwhip tentacles.
- Night of the Living Dead. For reasons unknown (though radiation from a disintegrating space probe may be to blame), the dead are rising from their graves.
Nov 28, 1999 · 7 min read. Willard emergent: "Apocalypse Now." Francis Ford Coppola’s film “Apocalypse Now” was inspired by Heart of Darkness, a novel by Joseph Conrad about a European named Kurtz who penetrated to the farthest reaches of the Congo and established himself like a god.
Tales from the Apocalypse 2023 1h 20m Action Mystery & Thriller Sci-Fi TRAILER for Tales from the Apocalypse: Trailer 1 List Tomatometer 2 Reviews 67% Popcornmeter Fewer than 50 Ratings
- (3)
- Action, Mystery & Thriller, Sci-Fi
- Rachel House, Jacqueline Joe
1 day ago · The film continues his preoccupation with questions of guilt, silence, repression, performance, and the way in which individuals, history, and reality itself are constructed by the stories we tell ...
- Dull in the tooth.
- Garou Kidding Me?
- If you were a werewolf, what would your moon sign be?
- Werewolf: The Apocalypse - Earthblood Screenshots
- Perplexing Prey
- How To Get Into The Werewolf Tabletop Game
- The Best Modern RPGs
- Verdict
By Leana Hafer
Updated: Nov 3, 2022 8:14 pm
Posted: Feb 4, 2021 9:00 am
After decades of vampires hogging all the spotlight in the World of Darkness, I've been drooling over the prospect of a good Werewolf: The Apocalypse game to showcase my favorite side of that fantastic universe… but it might be a couple decades more at this rate, because Werewolf: The Apocalypse - Earthblood is an unambitious swing at video game-ifying the beloved tabletop roleplaying game of fangs and fury that originally got me into that hobby. If it can’t make transforming into a massive beast and ripping your enemies limb from limb fun, what are we even doing here?
In Earthblood, you play as Cahal, a Garou of the Fianna tribe born under the moon sign Arhoun who must battle Banes and Fomori to save Gaia. If you found that sentence confusing, this story is going to be a doozy because it barely ever stops for even a moment to explain any of the concepts of its rich but sometimes perplexing setting. And to anyone without an understanding of werewolves and their culture, a lot is going to be lost from its storytelling. This stands in stark contrast to the classic Vampire: The Masquerade - Bloodlines, which is set in the same universe. That game spends the first few hours explaining to you what vampires are, what they can and can't do, and how their society works. Earthblood, meanwhile, seems to be written for existing Apocalypse fans only. If you’re exploring this part of the World of Darkness for the first time get ready to be bewildered – and that probably describes most players.
Anyway, Cahal is a tough guy in a leather jacket with a bunch of stock character traits who, through about half the story’s 20-ish hours, doesn't seem to be able to express anything that would register above a two or a three on the emotional Richter scale. This includes when multiple people close to him are killed. In a game with the tagline, "When will you Rage?" it's kind of a problem that your lead character has a hard time expressing believable anger. The voice acting improves a little in the second half, but overall it's very flat. And the dialogue writing isn't particularly good, either, which ends up making most of the characters seem almost creepily robotic.
Cahal and his werewolf buddies are basically eco-terrorists, fighting against an oil company called – and I am really not making this up – Endron. If this were South Park or Robot Chicken, that kind of on-the-nose nod to a real company might have worked. But tonally, there is no levity to be found at any point in Earthblood: these are serious business werewolves. Each level involves infiltrating these greedy polluters' facilities, sneaking past security, beating up guards, and completing simple objectives like planting a bomb or putting a bug on a computer terminal.
Stealth action is the one thing that kind of works about Earthblood.This central stealth action routine is the one thing that kind of works about Earthblood (which is nice, except that werewolves in Apocalypse aren't generally known for their stealthiness). Going swift and sneaky in wolf form lets you sabotage equipment, shut down turrets, and thin the herd with stealth kills. And to its credit, the levels are well-constructed enough to make whittling away the defenses as much as I could before the alarms went off a satisfying puzzle that tested my observation skills and quick execution. But on the other hand, when it's fully possible to just kick the door down, roar, and splatter all of your enemies into jelly on normal difficulty, it can feel like a waste of time because you don't get any extra rewards for doing things the quiet and patient way.
Full Moon - "I'll rip your throat out" Werewolf
Gibbous Moon - "I'll crack open some beers and tell the story about how my friend ripped your throat out" Werewolf
Half Moon - "I'll explain what crimes you committed before we rip your throat out" Werewolf
Crescent Moon - "I'll make sure it's okay with the local spirits if we rip your throat out" Werewolf
New Moon - "I'll sneak up on you. Then I'll rip your throat out" Werewolf
A lot of Earthblood’s weaker points could have been forgiven, at least to some degree, if Cyanide had managed to make it fun to go on a rampage as a snarling 400-pound hellbeast. But forgiveness must be earned, and combat – the part of Earthblood that seemed to get the alpha's share of the attention – is really mediocre.
Building up a special meter in Crinos form can let you activate Frenzy, but it's basically just a power up that, for a limited time, lets you kill just about anything by button mashing. That’s disappointing because in the lore, Frenzy is a dangerous and even transgressive act in Garou culture, but that’s only briefly explored, and not in a way that...
The enemy design is extremely annoying as well. Security guards with shotguns will just stand there blasting you with cones of buckshot even when you're right up in their faces going to town. You'd think it would be hard to aim when you're being actively mauled by a monster twice your size, but not for these guys. Most human foes will also slide around like they're on ice skates when you come barreling into them, rather than being knocked down.
Some of the boss fights against monsters and giant corporate mechs are okay, in that they're refreshing and even sometimes challenging compared to fighting hordes of henchmen. Having to fight two enemy werewolves at once was probably the most fun I had with the combat in Earthblood. But in general, I ended up playing a lot of the levels in almost pure stealth mode just because fighting isn't enjoyable, and the lackluster upgrades from progression never made it that much better.
I ended up playing a lot of the levels in almost pure stealth mode just because fighting isn't enjoyable.Story missions and boss fights give you spirit points, which you can also find more of by exploring each area using Earthblood's version of the obligatory Batman Detective Vision. The perks and abilities they unlock are mostly so underwhelming, though, that I would sometimes let them stack up for hours because there was nothing I was all that excited about buying, and when I finally did it just confirmed I hadn’t missed anything. They mostly make you better at the things you can already do or let you throw in an extra special move to your attack combos, but that doesn’t really change how you fight. Almost none of them open up new ways to play, in or out of combat.
I don’t get a sense that I’d have a significantly different experience if I were to play the campaign again and make different choices because you don't get to pick Cahal's Tribe or Auspice (the moon sign a werewolf was born under, which serves almost like their character class in the tabletop game), so there isn't much by way of customization. You don't even really get to decide how you want to roleplay him. Aside from one story choice at the very end which is played out with all the emotional weight of a wet sock, his personality and values are set in stone. I am again compelled to contrast this with Bloodlines, in which all the different ways of making your vampire your vampire were among the main strengths.
If you're interested in the world of Werewolf, there unfortunately aren't any halfway decent video games that can introduce you to the setting. But the tabletop RPG on which it's based is still available, and it's a lot of fun!
•Werewolf: The Apocalypse 20th Anniversary Edition is the most up-to-date and complete version of the classic game. Like Earthblood, it's set in the main World of Darkness (formerly called the Old World of Darkness or OWoD by fans) from the early ‘90s, though this edition has updated it quite a bit to reflect modern times. It still has some dated-feeling lore, it tends to be pulpier and more melodramatic than the later reboot (see below), and the rule system is very cumbersome compared to most modern tabletop games. It's also an absolute behemoth of a book. Seriously, you could knock someone out with this.
•Werewolf: The Forsaken 2nd Edition is part of the Chronicles of Darkness line (formerly called New World of Darkness or NWoD), a huge reboot of the entire franchise White Wolf did in the mid-'00s. It's a much more elegant rule set, and has a stronger focus on personal horror rather than pulp action and multinational occult conspiracies. This is not strictly the same universe as Apocalypse, but it's based on most of the same core concepts – some of them have just been renamed and remixed. While I definitely miss some of the Apocalypse lore that was lost in the reboot, this is without a doubt the more user-friendly and modern Werewolf RPG. It's the one I still play to this day.
•Werewolf: The Apocalypse 5th Edition is going back to the classic setting but trying to update the rules and lore, much like 2018's 5th Edition of Vampire: The Masquerade. It's currently in development and set for release some time later this year. If you can wait a bit longer to sink your teeth in, this might turn out to be the best version of Werewolf to hit our tabletops yet – if it successfully dispatches those clunky, outdated rules but keeps the best parts of the spirit of old-school Apocalypse.
In the background, the music is generally just as boring as almost everything else. Generic, distorted guitar riffs make up the bulk of it, which at least fits with the overall mood and tone of Werewolf: The Apocalypse and its often over-the-top action-horror sensibilities. None of the more contemplative or emotional moments are scored appropriatel...
If Earthblood had at least been a fun beat-em-up, I would have been disappointed by the missed opportunity but glad we got a somewhat decent game about that one aspect of Werewolf: the Apocalypse. But the clumsy, unsatisfying combat even takes the teeth out of that and leaves nothing much worth your time. The stealth mechanics are actually pretty g...
THE APOCALYPSE is about a salvage team led by Sandra Bernhard (!), attempting to acquire the cargo from a derelict spaceship. Unfortunately, Bernhard's crew is mostly made up of psychopathic criminals.
Apr 16, 2020 · Our list of the best apocalypse movies of all time includes zombie films, movies set in a post-apocalyptic wasteland, comedies, and more.
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