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A Cold Night's Death (also known as The Chill Factor) is a 1973 American made for television horror - thriller film. The film was shown on January 30, 1973, on the ABC network . The film was directed by Jerrold Freedman and starred Robert Culp, Eli Wallach, and Michael C. Gwynne.
Jan 30, 1973 · A Cold Night's Death: Directed by Jerrold Freedman. With Robert Culp, Eli Wallach, Michael C. Gwynne, Vic Perrin. Scientists Robert Jones and Frank Enari suspect that there is someone or something other than their research primates inhabiting their isolated polar station.
May 31, 2014 · A Cold Night's Death 1973. An ABC Movie of the Week that first aired on Jan. 30, 1973. Tuesday Movies of the Week were generally slated for horror, and this one delivered - a tour de...
Find out how and where to watch "A Cold Night's Death" on Netflix and Prime Video today - including free options.
Mar 16, 2023 · This was a sci-fi thriller with Culp and Eli Wallach sent to a snowed in research station to investigate why the research team is no longer answering radio transmissions. Culp and Wallach discover the research team have all frozen to death — leaving only their animal subjects (monkeys) alive.
Sometime during the first night, someone unseen rewinds and erases the reel-to-reel recorder. Soon, other strange things begin to happen. One night, Jones is awakened by the screaming of the monkeys downstairs.
One of the finest TV movies of the 1970s, A Cold Night's Death (AKA: The Chill Factor) pitches Robert Culp and Eli Wallach at the Tower Mountain Research Station.
Two primate behavior scientists arrive at a mountain top research station to find their predecessor frozen to death under strange circumstances.
An offbeat psychological horror tale in which two scientists, snowbound in an Arctic research station while looking into the death of a colleague, find themselves stalked by an unknown force.
A Cold Night’s Death is an American sci-fi/horror Made-for-TV Movie that first aired on ABC in 1973. It was written by Christopher Knopf, directed by Jerrold Freedman, and executive produced by Aaron Spelling. The oftentimes atonal musical score was composed by Gil Mellé.
