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  1. The Cranes Are Flying

    The Cranes Are Flying

    1960 · Romance · 1h 35m

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  1. The Cranes Are Flying (Russian: Летят журавли, translit. Letyat zhuravli) is a 1957 Soviet film about the Second World War. It depicts the cruelty of war and the damage done to the Soviet psyche as a result of war, which was known in the Soviet Union as the Great Patriotic War.

  2. The Cranes Are Flying: Directed by Mikhail Kalatozov. With Tatyana Samoylova, Aleksey Batalov, Vasiliy Merkurev, Aleksandr Shvorin. Veronica plans a rendezvous with her lover, Boris, at the bank of river, only for him to be drafted into World War II shortly thereafter.

    • (20K)
    • Drama, Romance, War
    • Mikhail Kalatozov
    • 1960-03-21
  3. Winner of the Palme d’Or at the 1958 Cannes Film Festival, The Cranes Are Flying is a superbly crafted drama with impassioned performances and viscerally emotional, gravity-defying cinematography by Kalatozov’s regular collaborator Sergei Urusevsky. Film Info. Soviet Union. 1957. 96 minutes. Black & White. 1.37:1. Russian. Spine #146.

    • Veronika
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  5. This landmark film by the virtuosic Mikhail Kalatozov was heralded as a revelation in the post-Stalin Soviet Union and the international cinema community alike. It tells the story of Veronica (Tatiana Samoilova) and Boris (Alexei Batalov), a couple who are blissfully in love until World War II tears them apart.

    • 97 min
    • 2115
    • slojinksi2
  6. The Cranes Are Flying. Veronika (Tatyana Samoylova) and Boris (Aleksey Batalov) come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly...

    • (27)
    • Tatyana Samoylova
    • Mikhail Kalatozov
    • Romance, Drama, War
  7. As the clouds of war spread over Russia during Germany's surprise invasion in 1941, the fervent young lovers, the sensitive Veronika and the stalwart Boris, are parted when the patriotic lad secretly volunteers for the war effort.

  8. The Cranes Are Flying (1957), winner of the top prize at the Cannes Film Festival in 1958, was among several Soviet movies that reached American art theaters in the late 1950s and early 1960s, amazing audiences with their clear commitment to human dignity and compassion.

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