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  1. Jun 20, 2014 · Venus in Fur. You'd be hard pressed to imagine a more seemingly perfect match of director and material than Roman Polanski and "Venus in Fur." Too bad it isn't a wickeder, subtler, more imaginative movie. Polanski's second stage adaptation in a row (after "Carnage") is a two-character play set almost entirely within a Paris theater, and mostly ...

  2. Jun 20, 2014 · Judy Berman Flavorwire Lighthearted as it is, Venus in Fur has the rare effect of filtering the viewer's life through its own extreme lens. Sep 21, 2017 Full Review Steve Davis Austin Chronicle ...

    • (119)
    • Emmanuelle Seigner, Mathieu Amalric
    • Roman Polanski
    • Drama
  3. Full Review | Original Score: 3.5/5 | Mar 25, 2024. The latest film directed by Roman Polanski, Venus in Fur, is the fifth transposition of the novel The Venus of Furs (1870) in which a vision of ...

  4. Apr 22, 2014 · Roman Polanski’s Venus in Fur opens and closes with long, sinuous dolly shots, on-rails moments which feel both magically cinematic and self-consciously silly. Like the proudly low-rent special effects of Alain Resnais’s late films, these paired movements—one a zooming POV shot in which the camera whisks its way into a darkened Parisian theater, doors swinging open before it, the other ...

  5. www.metacritic.com › movie › venus-in-furVenus in Fur - Metacritic

    Jun 20, 2014 · Sundance Selects. 1 h 36 m. Summary Alone in a Paris theater after a long day of auditioning actresses for his new play, writer-director Thomas (Mathieu Amalric) complains that no actress he’s seen has what it takes to play the lead female character: a woman who enters into an agreement with her male counterpart to dominate him as her slave.

    • (33)
    • Roman Polanski
    • Not Rated
  6. May 25, 2013 · Cannes Film Review: ‘Venus in Fur’ Roman Polanski once again transfers a New York stage hit to the screen with maximum fidelity and facility, and a minimum of fuss.

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  8. May 28, 2013 · Roman Polanski ‘s Venus in Fur hit me like a breath of fresh air on the morning of my eleventh and final day of the 2013 Cannes Film Festival. Opening with a sequence I’d more associate with a ...

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