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Rome, Open City (Italian: Roma città aperta), also released as Open City, is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini.
Rome, Open City: Directed by Roberto Rossellini. With Aldo Fabrizi, Anna Magnani, Marcello Pagliero, Vito Annichiarico. During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.
After making films under Mussolini’s fascist regime early in his career, Rossellini broke out with Rome Open City, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by Paisan and Germany Year Zero, which round out his “war trilogy.”.
May 15, 2024 · A lightning bolt or a melodrama “full of old ingredients”? How Roberto Rossellini’s wartime drama Rome, Open City became a line-in-the-sand moment for world cinema.
Open City, Italian Neorealist film, released in 1945, that portrayed life in Nazi-occupied Rome during World War II. Directed by Roberto Rossellini in a documentary style that was innovative for the time, the movie brought international attention to the Neorealist movement and became one of its.
During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.
Rome, 1944. Giorgio Manfredi, one of the leaders of the Resistance is tracked down by the Nazis. He goes to his friend Francesco's, and asks Pina, Francesco's fiance,...
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Rome Open City. Directed by Roberto Rossellini • 1945 • Italy. Starring Aldo Fabrizi, Anna Magnani, Marcello Pagliero. This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it.
Mar 6, 2014 · Rossellini's neorealist classic, re-released in a newly restored digital version, was made in 1945 in straitened circumstances not long after the Nazi occupation of Rome was over.
Rome, Open City (Roma Citta Aperta) A landmark of Italian neorealism approaching its 80th anniversary, Roberto Rossellini’s portrait of life under Nazi occupation remains remarkable for its immediacy, tension and power.
