Silvia Águila
Estela Diaz Iglesias
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Sep 3, 1998 · Vertical Love: Directed by Arturo Sotto Díaz. With Jorge Perugorría, Sílvia Águila, Susana Pérez, Manuel Porto. The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected.
- (108)
- Comedy
- Arturo Sotto Díaz
- 1998-09-03
They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge.
- 1997
- 2
- Arturo Sotto Díaz
Brief Synopsis. Estela is a young architect who hopes to alleviate Havana's housing crisis. But depression leads her to slit her wrists; which brings her to the attention of Ernesto, a cynical hospital nurse who has several ongoing scams. After Estela invites him to dinner with her family, Ernesto manages to offend.
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They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge.
Vertical Love (Spanish: Amor vertical) is a 1997 Cuban comedy film written and directed by Arturo Sotto Díaz. The film was selected as the Cuban entry for the Best Foreign Language Film at the 70th Academy Awards , but was not accepted as a nominee.
- Arturo Sotto Díaz
- Arturo Sotto Díaz
- Spanish
- Jorge Perugorría
They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge.
They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge.
