Leatrice Joy
Antoinette B. "A.B." Allen
Search results
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation. [1] [2] The film is based on a 1922 Broadway play of the same name by Zelda Sears. [3] The film was a starring vehicle for Leatrice Joy who left Paramount ...
The Clinging Vine: Directed by Paul Sloane. With Leatrice Joy, Tom Moore, Toby Claude, Robert Edeson. Mannish ultra-efficient A.B. is the real force behind the Bancroft paint business.
- (125)
- Comedy
- Paul Sloane
- 1926-09-06
The Lyrics. The lyrics of “Clinging Vine” express a deep affection and longing for someone dear. It paints a picture of romance, warmth, and comfort. I find the repetition of the line “Cuddle up and be my little clinging vine” particularly endearing. It speaks of a desire for closeness, both physically and emotionally, and a longing to ...
- Derrick Mack
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation.[1][2] The film is based on a 1922 Broadway play of the same name by Zelda Sears.[3] The film was a starring vehicle for Leatrice Joy who left Paramount Pictures along with DeMille when he formed his own ...
Sep 4, 2015 · The Clinging Vine is a twist on this trope. We find the heroine in the workplace, but instead of a suffering ingenue running from a skirt-chasing boss, she is diligent, efficient, and completely ...
The Clinging Vine is presented with an optional audio commentary by Western Michigan University asst. professor Heather Addison. Astute, informative but lifeless, the commentary analyzes the film's sexual politics from a distinctly contemporary, academic perspective.
Sally Jane Black. This feels like an inadvertent window into the presumptions of the gender politics amongst the capitalists of its time. It manages to convey the misogynist views of the men and the competence of the women in ways that reinforce both sexism and capitalist assimilation - this is a film that wants to have its "women are defined ...
