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  1. en.wikipedia.org › wiki › MachucaMachuca - Wikipedia

    Box office. $ 3,187,700 (worldwide) [1] Machuca is a 2004 internationally co-produced coming-of-age drama film co-written and directed by Andrés Wood. [2] It stars Matías Quer, Ariel Mateluna, Manuela Martelli, and Aline Küppenheim alongside Federico Luppi . Set in Santiago during the months leading up to the 1973 coup d'état led by General ...

  2. www.imdb.com › title › tt0378284Machuca (2004) - IMDb

    Jun 11, 2004 · Machuca: Directed by Andrés Wood. With Matías Quer, Ariel Mateluna, Manuela Martelli, Aline Küppenheim. Two 12-year-old Chilean children from different social classes become friends in 1973.

    • (13K)
    • Biography, Drama, History
    • Andrés Wood
    • 2004-06-11
  3. Feb 24, 2004 · Machuca is a touchingly bittersweet story of childhood friendship and a demonstration of how the political affects the personal. Pedro (Ariel Mateluna), who comes from modest means, gets a free ...

    • (38)
    • Matías Quer
    • Andrés Wood
    • Tornasol Films S.A.
  4. Father McEnroe (Ernesto Malbran), one of the headmasters of an exclusive private school, decides to confront this matter by giving a handful of poor children a full scholarship. Pedro Machuca (Ariel Mateluna) is one of the new students, and while he and his fellows are picked on by the school's bullies, Pedro is a brave kid who stands his ...

  5. Feb 26, 2016 · INTERNATIONAL SALES: LATIDO FILMSwww.latidofilms.comwww.facebook.com/latidofilmswww.twitter.com/latidofilmslatido@latidofilms.com

    • 1 min
    • 78.6K
    • Latido Films
  6. Machuca Tile is the largest and oldest manufacturer of handmade cement tiles in the Philippines. All of our products are locally manufactured by skilled Filipino artisans, following the same traditional methods of tile-making since 1903. For over a century, we have used the gifts of our heritage and expertise to provide unmarred beauty and ...

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  8. Jul 28, 2019 · Within Machuca, the child’s gaze is the mechanism for positing the problem of ‘seeing’ events and so the scope of the film is continuously limited to the direct experience of the children. This use of the child’s view continues a trend within Latin American filmmaking that uses children as central characters to explore wider social and ...

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