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  1. Lars Schmidt
    Swedish theater producer

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  2. Lars Reinhold Schmidt (11 June 1917 – 18 October 2009) was a Swedish theatrical producer, director and publisher. He owned theaters in Paris, France, and Sweden. Schmidt was instrumental in bringing American theater to the European stage.

  3. www.imdb.com › name › nm0773067Lars Schmidt - IMDb

    Lars Schmidt was born on 11 June 1917 in Gothenburg, Västra Götalands län, Sweden. He was a producer and writer, known for ABC Stage 67 (1966), Twenty-Four Hours in a Woman's Life (1961) and C'est encore mieux l'après-midi (1989). He was married to Yanne Noorup, Kristina Belfrage and Ingrid Bergman.

    • January 1, 1
    • Gothenburg, Västra Götalands län, Sweden
    • January 1, 1
    • Fjällbacka, Västra Götalands län, Sweden
  4. Lars Schmidt was born on June 11, 1917 in Gothenburg, Västra Götalands län, Sweden. He was a producer and writer, known for ABC Stage 67 (1966), Twenty-Four Hours in a Woman's Life (1961) and C'est encore mieux l'après-midi (1989).

    • June 11, 1917
    • October 18, 2009
  5. Swedish theatrical producer, director, and publisher Lars Schmidt (1917-2009) spent over 50 years in the theater business. He began as a licensee of American plays and owner of a theater boat in Sweden, ultimately becoming a theater owner in France and a producer throughout the world.

  6. In 1957, the Swedish weekly magazine Vecko-Journalen ran an extended feature on the publisher and theatre producer Lars Schmidt (19172009), who was well on his way to establishing himself as one of Europe’s most influential cultural personalities.

  7. Lars Reinhold Schmidt (11 June 1917 – 18 October 2009) was a Swedish theatrical producer, director and publisher. He owned theaters in Paris, France, and Sweden. Schmidt was instrumental in bringing American theater to the European stage.

  8. Oct 23, 2023 · This chapter identifies and explains the pivotal role played by Swedish agent-cum-producer Lars Schmidt (1917–2010) in successfully helping to introduce and implement the postwar Broadway musical on European stages. By presenting heretofore unmined archival and original sources, the chapter outlines some of Schmidt’s key artistic choices ...

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