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  1. Irving Allen
    Theatrical and cinematic producer and director

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  1. en.wikipedia.org › wiki › Irving_AllenIrving Allen - Wikipedia

    Irving Allen (born Irving Applebaum, November 24, 1905 – December 17, 1987) was an Austro-Hungarian–born American theatrical and cinematic producer and director. He received an Academy Award in 1948 for producing the short movie Climbing the Matterhorn.

  2. www.imdb.com › name › nm0002164Irving Allen - IMDb

    Irving Allen. Producer: Climbing the Matterhorn. Irving Allen started his film career in 1929 as an editor. He turned to directing in the 1940s, and two shorts he directed, Forty Boys and a Song (1941) and Climbing the Matterhorn (1947), won Academy Awards.

    • January 1, 1
    • Austria-Hungary [now Poland]
    • January 1, 1
    • Encino, California, USA
  3. Overview. Born. November 24, 1905 · Austria-Hungary [now Poland] Died. December 17, 1987 · Encino, California, USA (undisclosed) Mini Bio. Irving Allen started his film career in 1929 as an editor. He turned to directing in the 1940s, and two shorts he directed, Forty Boys and a Song (1941) and Climbing the Matterhorn (1947), won Academy Awards.

    • November 24, 1905
    • December 17, 1987
  4. en.wikipedia.org › wiki › Irwin_AllenIrwin Allen - Wikipedia

    Irwin Allen (born Irwin O. Cohen, June 12, 1916 – November 2, 1991) was an American film and television producer and director, known for his work in science fiction, then later as the "Master of Disaster" for his work in the disaster film genre.

  5. Irving Allen was a film producer and director who worked on various genres and countries. He won an Oscar for producing the short \"Climbing the Matterhorn\" and made the Matt Helm series with Albert R. Broccoli.

  6. 1 day ago · Hall of Famer Allen Iverson and Dallas Mavericks guard Kyrie Irving are almost spitting images. Both are elite ball-handlers. Both can create their own shot. Both are explosive athletes. They ...

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  8. Born Irving Applebaum in Poland in 1905, he entered the movie industry as an editor at Universal in 1929, just as synchronized sound was making editing into a new kind of art, and later worked for Paramount and Republic.

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