The Nanny
1966
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Seth Holt (21 July 1923 – 14 February 1971) was a Palestinian-born British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style.
Seth Holt (played by John Corbett) is the ex-husband of Sarah Braverman and the father of Drew and Amber Holt. His relationship with his ex-wife and children continues to be rocky throughout the show until Seth begins to turn his life around. Seth is a traveling musician and has never made much...
Seth Holt. Seth Holt (John Corbett) is Sarah's rocker ex-husband and Amber and Drew's absent father. Seth is a traveling musician and has never made much time for either of his children. Sarah left Seth due to his chronic problems with drugs and alcohol, and she constantly had to lie to her children regarding his long absences, saying he was ...
ActorCharacterSeasons(1)Seasons(2)Adam BravermanMainMainSarah BravermanMainMainCrosby BravermanMainMainKristina BravermanMainMainSeth Holt (1923-1971) Director. Editorial Department. IMDbPro Starmeter See rank. Seth Holt began as an assistant editor at Ealing in 1944, graduating to editor (1949), producer (1955) and director (1958).He returned to editing for Charles Crichton 's The Battle of the Sexes (1960) and for Saturday Night and Sunday Morning (1960).
- Director, Editorial Department, Editor
- June 21, 1923
- Seth Holt
- February 14, 1971
Scream of Fear: Directed by Seth Holt. With Susan Strasberg, Ronald Lewis, Ann Todd, Christopher Lee. A wheelchair-bound young woman returns to her father's estate after 10 years, and although she's told he's away, she keeps seeing his dead body on the estate.
- (5.5K)
- Horror, Thriller
- Seth Holt
- 1961-08-22
Seth Holt. Highest Rated: 100% The Lavender Hill Mob (1951) Lowest Rated: 83% The Battle of the Sexes (1959) Birthday: Jun 21, 1923. Birthplace: Palestine. Began his career as an assistant...
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Seth Holt was a British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. In the 1960s, Movie magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse.
