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  1. Jamgön Ju Mipham Gyatso, or Mipham Jamyang Namgyal Gyamtso (1846–1912) (also known as "Mipham the Great") was a very influential philosopher and polymath of the Nyingma school of Tibetan Buddhism. He wrote over 32 volumes on topics such as painting, poetics, sculpture, alchemy, medicine, logic, philosophy and tantra. [2]

  2. Ju Mipham Rinpoche (Tib. འཇུ་མི་ཕམ་, Wyl. 'ju mi pham) or Jamgön Mipham Gyatso (Tib. འཇམ་མགོན་མི་ཕམ་རྒྱ་མཚོ་, Wyl. 'jam mgon mi pham rgya mtsho) (1846-1912) — a great Nyingma master and writer of the last century, student of Jamgön Kongtrul, Jamyang Khyentsé Wangpo and ...

  3. Note that Mipam's name has been commonly spelled "Mipham" (with an 'h'). However, the 'h' is not pronounced; hence scholars such as Duckworth, Hopkins, et al spell the name as "Mipam." Alternate names for Mipam are: Jamgon Ju Mipham Gyatso (ʼJam-mgon ʼJu Mi-pham rgya-mtsho) Jamgön Mipham (ʼJam-mgon Mi-pham) Ju Mipham (ʼJu Mi-pham)

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  5. Texts by and about the great Nyingma polymath Jamgön Mipham Namgyal Gyatso (mi pham rnam rgyal rgya mtsho, 1846-1912), arguably the most influential Tibetan scholar of recent times: Advice This very short yet practical set of instructions, composed in verse, was written at the request of several beginners.

  6. Jamgön Ju Mipham, or Mipham Jamyang Namgyal Gyamtso, Jamgon Ju Mipham Gyatso (mi pham 'jam dbyangs rnam rgyal) (1846–1912) (also known as "Mipham the Great") was a master of the Nyingma lineage of Tibetan Buddhism and one of the leading figures in the Rime (non-sectarian) movement in Tibet.

  7. འཇུ་མི་ཕམ་, Wyl. 'ju mi pham) or Jamgön Mipham Gyatso (Tib. འཇམ་མགོན་མི་ཕམ་རྒྱ་མཚོ་, Wyl. 'jam mgon mi pham rgya mtsho) also known as Jampal Gyepé Dorjé (Tib. འཇམ་དཔལ་དགྱེས་པའི་རྡོ་རྗེ་, Wyl. ‘jam dpal dgyes pa’i rdo rje) (1846-1912) — a great Nyingma master and writer of the last century, student of Jamgön Kongtrul,

  8. Jan 16, 2024 · (1846-1912) Mipham Rinpoche, or Jamgön Mipham Gyatso, was an exceptional scholar-practitioner and one of the foremost Tibetan commentators of the early modern period. His contributions to both sutra and tantric exposition were especially important in the Nyingma school of Tibetan Buddhism.

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