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Doña María Eugenia Ignacia Agustina de Palafox y Kirkpatrick, 19th Countess of Teba, 16th Marquise of Ardales (5 May 1826 – 11 July 1920), known as Eugénie de Montijo (French: [øʒeni də mɔ̃tiʁo]), was Empress of the French from her marriage to Napoleon III on 30 January 1853
María Eugenia Ignacia Agustina de Palafox y Kirkpatrick, 19 e comtesse de Teba — dite Eugénie de Montijo — née le 5 mai 1826 à Grenade et morte le 11 juillet 1920 à Madrid , est l'épouse de Napoléon III, empereur des Français. À ce titre, elle porte le titre d'impératrice des Français du 29 janvier 1853 au 4 septembre 1870.
- 11 juillet 1920 (à 94 ans)Madrid ( Espagne)
- 5 mai 1826Grenade ( Espagne)
Eugénie de Montijo (1826-1920) was the youngest daughter of the Count of Teba and niece of the Count of Montijo, whose name her father obtained and by which she is improperly known today. After her marriage to Louis-Napoléon Bonaparte, she became Empress of the French until 1873.
Eugénie de Montijo (1826-1920) était la fille cadette du comte de Teba, et la nièce du comte de Montijo, dont son père reprit le nom, sous lequel elle est connue improprement aujourd’hui. Après son mariage avec Louis-Napoléon Bonaparte, elle fut impératrice des Français jusqu'en 1873. Nom complet.
Eugénie (1826–1920) Empress of the French and wife of Napoleon III who, by her elegance and charm, contributed largely to the brilliancy of the imperial regime and showed calmness and courage in the face of the rising tide of revolution. Name variations: Eugenie de Montijo; Eugénie-Marie, Countess of Teba.
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May 1, 2024 · Eugénie was the wife of Napoleon III and empress of France (1853–70), who came to have an important influence on her husband’s foreign policy. The daughter of a Spanish noble who fought on the French side during Napoleon I’s Peninsular War in Spain, Eugénie went to Paris when Louis-Napoléon became.
Winterhalter began an official portrait of Empress Eugénie (Eugénie de Montijo, Condesa de Teba, 1826-1920) shortly after her marriage in 1853 to Napoleon III, emperor of France, but it was not exhibited until 1855. The present work is, in contrast, relatively intimate in scale and effect.
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