Gottfried John
Jochen Epp
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Drama. The young toolmaker Jochen fights with his colleagues to a performance bonus. He gets to know the girl Marion. For both, it is love at first sight. Stars. Gottfried John. Wolfrid Lier. Anita Bucher. See production info at IMDbPro.
- (647)
- 1972-10-29
- Drama
- 476
Eight Hours Don't Make a Day (German: Acht Stunden sind kein Tag) (also translated as (Eight Hours Are Not a Day) is a West German television miniseries written and directed by Rainer Werner Fassbinder. Commissioned by Westdeutscher Rundfunk, it was broadcast in five episodes between 1972 and 1973.
No.TitleFirst AiredRuntime (mins.)1"Jochen and Marion""Jochen und Marion"29 October 19721072"Grandma and Gregor""Oma und Gregor"27 December 19721053"Franz and Ernst""Franz und Ernst"21 January 1973974"Harald and Monika""Harald und Monika"18 February 197395Mar 13, 2018 · Directed by Rainer Werner Fassbinder. Drama. Not Rated. 7h 52m. By Ben Kenigsberg. March 13, 2018. A time capsule that somehow reveals a neglected masterpiece every decade, the back catalog of the...
- Rainer Werner Fassbinder
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Jochen's grandmother spends time searching for an apartment they can afford with her new boyfriend Gregor, an elderly gentleman she has picked up in a park.When they run across a library space being abandoned by the town authorities, Oma comes up with the idea of taking it over as a kindergarten for the neighborhood kids who have no place to pla...
Eight Hours Don’t Make a Day. Criterion Collection Edition #946. Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective.
Eight Hours Don’t Make a Day. Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective.
1. 3. 12. Commissioned to make a working-class family drama for public television, up-and-coming director Rainer Werner Fassbinder took the assignment and ran, dodging expectations by depicting social realities in West Germany from a critical—yet far from cynical—perspective.
