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Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, US: / ˌ p oʊ l-/ POHL-, Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and ...
Antonio del Pollaiuolo. about 1432 - 1498. Image: Antonio del Pollaiuolo. The Florentine brothers Antonio and Piero del Pollaiuolo were born some 10 years apart and started on different paths. Antonio trained as a goldsmith, and as a sculptor in the Ghiberti workshop.
Antonio del Pollaiuolo. Italian, c. 1431 - 1498. Pollaiolo, Antonio del; Benci, Antonio di Jacopo d'Antonio. Works of Art.
…most influenced by the Florentine Antonio Pollaiuolo, with his sinuous, energetic line studies of the human body in motion, and by the Venetian Andrea Mantegna, an artist greatly preoccupied with classical themes and with precise linear articulation of the human figure.
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The Battle of the Nudes or Battle of the Naked Men, probably dating from 1465–1475, is an engraving by the Florentine goldsmith and sculptor Antonio del Pollaiuolo which is one of the most significant old master prints of the Italian Renaissance. The engraving is large at 42.4 × 60.9 cm, and depicts five men wearing headbands and five men ...
Pollaiuolo brothers, Italian brothers who, as sculptors, painters, engravers, and goldsmiths, produced myriad works together under a combined signature. Antonio del Pollaiuolo (original name Antonio di Jacopo d’Antonio Benci; b. Jan. 17, 1431/32, Florence [Italy]—d. 1496, Rome) and Piero del.
Battle of the Nude Men. One of the earliest and most influential Italian engravings, this print is an anomaly in many respects. It is the largest engraving of its time, and the only one signed by the Florentine artist Antonio Pollaiuolo (1431/32–1498).
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