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Charles-Joseph Natoire (3 March 1700 – 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher , he played a prominent role in the artistic life of France.
The Rebuke of Adam and Eve. Charles Joseph Natoire French. 1740. On view at The Met Fifth Avenue in Gallery 631. The history painter Natoire was trained in the studio of François Le Moyne, for whom this meticulously executed painting must have been intended as a tribute. It is a pendant to an earlier work by Le Moyne of the same size, also ...
Charles-Joseph Natoire 1700-1777 French Student of François Lemoyne, Louis Galloche Teacher of Joseph-Marie Vien Charles-Joseph Natoire was first tutored by his father, the sculptor Florent Natoire, before continuing his apprenticeship under Louis Galloche and further study with his most influential teacher, the
Initially trained by his father, a sculptor, Charles-Joseph Natoire moved to Paris at the age of seventeen to apprentice with the painter Louis Galloche. He then studied with Francois Le Moyne, from whom he inherited a taste for the female nude. Natoire's first known painting, Manoah Offering a Sacrifice to the Lord, won him the coveted Prix de ...
Charles Joseph Natoire. View Charles Joseph Natoire’s 454 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available works on paper, paintings, and prints and multiples for sale and learn about the artist.
- French
Title: Gardens of the Villa d'Este at Tivoli. Artist: Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo) Date: 1760. Medium: Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk. Dimensions: 12 5/16 x 18 11/16 in. (31.3 x 47.5 cm)
Charles Joseph Natoire. As a history painter, Natoire was obliged to instruct students at the Royal Academy of Painting and Sculpture in Paris; here he has depicted himself in a red cloak at lower left correcting a pupil’s drawing. Other students are shown making life studies from the two nude models posed on the table in the center.
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