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Stephanie Zacharek is an American film critic at Time, based in New York City. From 2013 to 2015, she was the principal film critic for The Village Voice. She was a 2015 Pulitzer Prize finalist in criticism.
Stephanie Zacharek is the film critic at TIME. She is the recipient of a Newswomen's Club of New York award, and was a 2015 Pulitzer Prize finalist.
- Drive My Car
- The Tragedy of Macbeth
- C’mon C’mon
- The Disciple
- Passing
- Parallel Mothers
- The Souvenir Part II
- Summer of Soul
- The Worst Person in The World
- The Power of The Dog
In Ryusuke Hamaguchi’s swimmingly gorgeous three-hour drama—adapted from a Haruki Murakami short story—a widowed actor and theater director from Tokyo (Hidetoshi Nishijima) accepts a gig in Hiroshima, mounting a production of Chekhov’s Uncle Vanya. A young woman from the country (Toko Miura) has been hired to drive him; their slow-building friendsh...
You may have seen this material a hundred times before. But Joel Coen’s shivery black-and-white rendering—starring Frances McDormand and Denzel Washington as the treacherous, scheming Scots, compelling as a demon’s spell—pulls off that rare feat: it puts you in the shoes of the play’s first audience, as if this 400-year-old play were unfolding anew...
Joaquin Phoenix gives a funny, finely wrought performance as a childless New York City radio journalist who takes charge of his precocious 9-year-old Los Angeles nephew (Woody Norman) for a few weeks. How does that even sound like a whole movie? But in the hands of writer-director Mike Mills, it’s everything. No one is better at chronicling late 20...
A singer with great drive and discipline (played, with searching openness, by Aditya Modak) strives to make a life for himself in the rarefied and decidedly unlucrative world of Indian classical music—only to be forced to recognize he’s missing the essential spark of genius. Director Chaitanya Tamhane’s luminous, quietly affecting filmexamines what...
In this beautifully rendered adaptation of Nella Larsen’s compact, potent 1929 novel, two girlhood friends (played, superbly, by Tessa Thompson and Ruth Negga) reconnect as adults, their lives not just intersecting but colliding: both women are Black, but one has chosen to live as white. First-time director Rebecca Hall gives us a deeply thoughtful...
Penélope Cruz gives a smashing performance as a Madrid woman who becomes a mother in middle age—even as she’s striving to win justice for her great-grandfather, murdered during the Spanish Civil War, his body tossed into a mass grave. Director Pedro Almodóvar uses melodrama to reckon with the painful historyof his country, but also to reaffirm an e...
In English filmmaker Joanna Hogg’s piercingly wistful semiautobiographical film, a young student in 1980s London (Honor Swinton Byrne, in a subtle, captivating performance) tries to make sense of a heartbreaking personal tragedy as she completes her graduate film. With that seemingly simple story, Hogg captures a thousand facets of what it’s like t...
Ahmir “Questlove” Thompson’s radiant documentarychronicles a star-studded free concert series that took place in a Harlem park during the summer of Woodstock but received far less attention. The Harlem Cultural Festival drew huge crowds, but in the years since, this civil rights–era celebration of pride and music had been largely forgotten—or, perh...
Danish-Norwegian director Joachim Trier’s staggeringly tender comedy-drama feels like a gift from the gods. On the road to figuring out who she is, Julie (Renate Reinsve, in a performance of marvelous, sturdy delicacy) falls in love first with one man and then another, only to realize she’s more lost than ever. Trier guides this story to a joyous, ...
In 1920s Montana, a misanthropic rancher (Benedict Cumberbatch) meets a reedy, dreamy teenager (Kodi Smit-McPhee) who arouses his contempt—and more. Jane Campion’s gorgeous, sinewy western, based on Thomas Savage’s 1967 novel, is a movie as big as the open sky—but also one where human emotions are distinctly visible, as fine and sharp as a blade of...
Stephanie Zacharek is a film critic for TIME Magazine and a member of the National Society of Film Critics and the New York Film Critics Circle. She reviews movies from various genres and years, ranging from classics to contemporary releases.
- Los Angeles Times
Stephanie Zacharek is known for Critics' Corner: The Films of Quentin Tarantino (2012), What She Said: The Art of Pauline Kael (2018) and Time Presents: Milestones 2016 - A Tribute to the Stars We've Lost (2016).
View Stephanie Zacharek’s profile on LinkedIn, a professional community of 1 billion members. Experience: Time Magazine · Location: New York City Metropolitan Area · 464 connections on...
- Time Magazine
Stephanie Zacharek is the chief film critic for Time Magazine. Previously, she was the chief film critic for The Village Voice and Salon. Her work has also appeared in The New York Times, New York Magazine, The Los Angeles Times, Entertainment Weekly, Rolling Stone, Newsday, and Sight & Sound.
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