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  1. Nov 23, 2022 · Ingesting people across state lines in the 1980s, Maren ( Taylor Russell) finds herself on her own after her father runs away when she turns 18, only leaving behind a tape recounting her earliest episodes of cannibalism and her birth certificate.

  2. 82% Tomatometer 288 Reviews 62% Audience Score 250+ Verified Ratings BONES AND ALL is a story of first love between Maren, a young woman learning how to survive on the margins of society, and...

    • (288)
    • Mystery & Thriller, Romance, Drama
    • R
  3. Nov 17, 2022 · Bones and All” is a ragged hybrid of genres and styles, an elevated exploitation movie, a succession of moods — anxious, horny, dreamy, sad — in search of a metaphor.

  4. www.metacritic.com › movie › bones-and-allBones and All - Metacritic

    Nov 18, 2022 · Bones and All is a heart-tugging portrait of wayward spirits searching for belonging that deadens the genre of cannibal horror into digestible, prestige-glossy arthouse. Read More By Brianna Zigler FULL REVIEW

  5. Sep 2, 2022 · Timothée Chalamet stars in this tender tale of budding cannibal romance – which morphs from outrageous black comedy to "sincere, sweet indie road movie", writes Nicholas Barber.

  6. Sep 3, 2022 · Luca Guadagnino’s film starring Timothée Chalamet and Taylor Russell is artful and tender, if occasionally almost too brutal to bear.

  7. Sep 2, 2022 · Taylor Russell and Timothée Chalamet star in 'Bones and All,' Luca Guadagnino's cannibal-romance road movie about young outsiders finding a home in each other.

  8. Dec 18, 2022 · Bones and All review: An age-old road-trip romance gets a bloody new life - Polygon. Reviews. Bones and All finds fresh new blood in an age-old young-love story. Taylor Russell and...

  9. Sep 7, 2022 · Bones and All review: A cannibal romance with teeth Love means never having to say you're sorry (that you eat people) for Timothée Chalamet and Taylor Russell in 'Call Me By Your...

  10. Nov 24, 2022 · Bones and All is a period piece, set at some point in the Eighties. Maren drifts silently through the chewed-up parts of America that the decade’s capitalist maximalism feasted on.

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