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Federico Fellini Cavaliere di Gran Croce OMRI (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness.
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Federico Fellini (Rimini, 20 gennaio 1920 – Roma, 31 ottobre 1993) è stato un regista, sceneggiatore, fumettista e scrittore italiano. Considerato uno dei maggiori registi della storia del cinema , è stato attivo per quarant'anni, dal 1950 al 1990, realizzando diciannove film in cui ha "ritratto" una piccola folla di personaggi memorabili.
- Plot
- Production
- Themes, Motifs and Structure
- Critical Reception
- In Popular Culture
- Bibliography
- Further Reading
- External Links
Prologue
1st Day Sequence: A helicopter transports a statue of Christ over an ancient Roman aqueduct outside Rome while a second, Marcello Rubini's news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from them but fails in his attempt. He then shrugs and continues following the statue to Saint Peter's Square.
Episode 1
1st Night Sequence: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome, while Marcello finds it suits him. They make love in the bedroom of a prostitute whom they had given a ride home in Maddalena's Cadillac. 1st Dawn Sequence: Marcello returns to his apartment to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state i...
Episode 2
2nd Day Sequence: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at Ciampino airportwhere she is met by a horde of news reporters. During Sylvia's press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists' questions, her boyfriend Robert enters the room late and drunk. Marcello casually recommends to Syl...
Costumes
In various interviews, Fellini said that the film's initial inspiration was the fashionable ladies' sack dress because of what the dress could hide beneath it.Brunello Rondi, Fellini's co-screenwriter and long-time collaborator, confirmed this view explaining that "the fashion of women's sack dresses which possessed that sense of luxurious butterflying out around a body that might be physically beautiful but not morally so; these sack dresses struck Fellini because they rendered a woman very...
Writing
Credit for the creation of Steiner, the intellectual who commits suicide after shooting his two children, goes to co-screenwriter Tullio Pinelli. Having gone to school with Italian novelist Cesare Pavese, Pinelli had closely followed the writer's career and felt that his over-intellectualism had become emotionally sterile, leading to his suicide in a Turin hotel in 1950.This idea of a "burnt-out existence" is carried over to Steiner in the party episode where the sounds of nature are not to b...
Casting
La Dolce Vita marks the first collaboration between Fellini and Mastroianni. On November 4, 1977 in an interview on The Dick Cavett Show, Mastroianni recalled their first encounter. According to Mastroianni, Fellini told him that the producer wanted Paul Newman for the lead role, but that Fellini considered Newman too beautiful, while Mastroianni was "the face of normal."Mastroianni, somewhat embarrassed, requested to read the script before agreeing to the role:
Marcello is a journalist in Rome during the late 1950s who covers tabloid news of movie stars, religious visions and the self-indulgent aristocracy while searching for a more meaningful way of life. Marcello faces the existential struggle of having to choose between two lives, depicted by journalism and literature. Marcello leads a lifestyle of exc...
Writing for L'Espresso, the Italian novelist Alberto Moraviahighlighted the film's variations in tone, In Filmcritica XI, Italian poet and film director Pier Paolo Pasolini argued that "La Dolce Vitawas too important to be discussed as one would normally discuss a film. Jacques Doniol-Valcroze, film critic and co-founder of Cahiers du cinéma, felt ...
One of the characters, Paparazzo, is the inspiration for the popular metonym "paparazzi", a word for intrusive photojournalists.In Pietro Germi's Divorce Italian Style (1961), Daniela Rocca chooses to flee the little town with her lover Leopoldo Trieste the night her husband, Marcello Mastroianni, their relatives and neighb...Tributes to Fellini in the "Director's Cut" of Cinema Paradiso (1988) include a helicopter suspending a statue of Jesus over the city and scenes in which the Trevi Fountain is used as a backdrop wh...Bondanella, Peter (1978). Federico Fellini: Essays in Criticism. New York: Oxford University PressBondanella, Peter (1992). The Cinema of Federico Fellini. Princeton: Princeton University Press.Costantini, Costanzo (ed.)(1994). Fellini on Fellini. London: Faber and Faber.Fava, Claudio, and Aldo Vigano (1985). The Films of Federico Fellini. New York: Citadel Press.(in Italian) Costa, Antonio (2010). Federico Fellini. 'La dolce vita'. Lindau: collana Universale film.(in Italian) Fellini, Federico, and Joseph-Marie Lo Duca (1960). La dolce vita. Paris: Jean-Jacques Pauvert Editeur.(in Italian) — (1960). 'La Dolce Vita' di Federico Fellini. Bologna: Cappelli editore, collana Fellini Federico: dal soggetto al Film, 1960.La Dolce Vita at IMDbLa Dolce Vita at AllMovieLa Dolce Vita at MetacriticLa Dolce Vita at Rotten TomatoesBiography. Federico Fellini, Knight Grand Cross (January 20, 1920 – October 31, 1993), was an Italian film director and screenwriter. Known for a distinct style that blends fantasy and baroque images, he is considered one of the most influential and widely revered filmmakers of the 20th century.
La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman ( Giulietta Masina ) bought from her mother by Zampanò ( Anthony Quinn ), a brutish strongman who takes her with him on the road.
I vitelloni (Italian pronunciation: [i vitelˈloːni], literally "The bullocks" - Romagnol slang for "The slackers" or "The layabouts") is a 1953 Italian comedy drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano and Tullio Pinelli.
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Jan 17, 2020 · Born 100 years ago in the coastal city of Rimini, Fellini was a child of the provinces whose early films were anchored to the real world he knew. Indeed, he drew on his own life for his first,...
