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Hollywood, California, US. Occupation (s) Film director, producer, writer. Years active. 1925–1960. Spouse. June Lederman. David Ross Lederman (December 12, 1894 – August 24, 1972) was an American film director noted for his Western/action/adventure films of the 1930s and 1940s.
A Dog of the Regiment is a 1927 American synchronized sound drama film directed by D. Ross Lederman. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process.
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April 19, 1941. ( 1941-04-19) Running time. 63 minutes. Country. United States. Language. English. Strange Alibi is a 1941 American film noir directed by D. Ross Lederman, written by Kenneth Gamet, Leslie T. White and Fred Niblo Jr., [1] and starring Arthur Kennedy, Joan Perry, Jonathan Hale, John Ridgely, Florence Bates and Charles Trowbridge.
The Return of the Whistler is a 1948 American mystery film noir based on the radio drama The Whistler. Directed by D. Ross Lederman, the production features Michael Duane, Lenore Aubert, and Dick Lane. This is the eighth and final entry in Columbia Pictures ' "Whistler" series, produced in the 1940s.
Biography. IMDbPro. All topics. D. Ross Lederman (1894-1972) Director. Second Unit Director or Assistant Director. Writer. IMDbPro Starmeter See rank. Starting out as an extra in Mack Sennett 's Keystone Kops series, D. Ross Lederman worked his way through the ranks of film production, and made his mark as a second-unit director.
- D. Ross Lederman
- August 24, 1972
- December 12, 1894
Key Witness is a 1947 American film noir crime film directed by D. Ross Lederman and starring John Beal, Trudy Marshall and Jimmy Lloyd. [1] Plot. A man runs away to avoid suspicion of murder and ends up in more trouble. Cast. John Beal as Milton Higby. Trudy Marshall as Marge Andrews. Jimmy Lloyd as Larry Summers. Helen Mowery as Sally Guthrie.
Starting out as an extra in Mack Sennett 's Keystone Kops series, D. Ross Lederman worked his way through the ranks of film production, and made his mark as a second-unit director. Becoming a feature director in the late 1920s, he specialized in action films and especially westerns, turning out a number of first-rate oaters with Tim McCoy at ...
