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  2. en.wikipedia.org › wiki › Noir_fictionNoir fiction - Wikipedia

    Noir fiction (or roman noir) is a subgenre of crime fiction. Definition [ edit ] Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence.

    • Jean-Claude Izzo

      Jean-Claude Izzo (Marseille 20 June 1945 – Marseille 26...

    • Film noir

      Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic...

    • Nordic noir

      Nordic noir, also known as Scandinavian noir, is a genre of...

  3. Jan 27, 2022 · Hardboiled crime stories and detective antiheroes help define classic noir fiction, a genre of mystery writing that takes a grim view of the human condition. Learn more about both classic and contemporary noir fiction and tips for writing noir novels of your own.

    • The Maltese Falcon (1930) by Dashiell Hammett: Sam Spade, a private investigator in San Francisco, is hired by Brigid O’Shaughnessy to find a statuette known as the Maltese Falcon.
    • The Glass Key (1931) by Dashiell Hammett: Paul Madvig is a political fixer in a corrupt city. He is asked to help his friend, Senator Ralph Bancroft, win an election.
    • The Postman Always Rings Twice (1934) by James M. Cain: Cora and Nick, a young couple, fall in love and decide to murder Cora’s husband, Nick’s boss. However, their plan quickly unravels as they are drawn into a spiral of violence and betrayal.
    • They Shoot Horses, Don’t They? (1935) by Horace McCoy: A group of down-and-out people compete in a dance marathon in order to win the prize money. However, the competition soon takes a dark turn, as the dancers become increasingly desperate and exhausted.
  4. May 20, 2024 · film noir, style of filmmaking characterized by such elements as cynical heroes, stark lighting effects, frequent use of flashbacks, intricate plots, and an underlying existentialist philosophy. The genre was prevalent mostly in American crime dramas of the post- World War II era.

  5. The term film noir (French for "black film"), was first applied to Hollywood movies by French critic Nino Frank in 1946. Many of those involved in the making of the classic noirs later professed to be unaware of having created a distinctive type of film.

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