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Yu Hyun-mok (July 2, 1925 – June 28, 2009) was a South Korean film director. Born in Sariwon, Hwanghae, Korea ( North Korea today), he made his film debut in 1956 with Gyocharo ( Crossroads ). [1] According to the website koreanfilm.org, his 1961 film Obaltan "has repeatedly been voted the best Korean film of all time in local critics' polls ...
Obaltan (Korean: 오발탄, also known as Aimless Bullet and Stray Bullet) is a 1961 South Korean tragedy film directed by Yu Hyun-mok. The plot is based on the novella of the same name by Yi Beomseon. It has often been called the best Korean movie ever made.
One of Korea’s most venerated filmmakers, YU Hyun-mok was born in 1925 and made his feature film debut with in 1956. Though he consistently made films though the late 1950s and into the 60s, his work reached a higher plain when he made in 1961. A gritty, almost neo-realist social drama, is widely considered to be one of the greatest Korean films of all time, frequently occupying top spots on ...
Biography. Yu Hyun-mok was born on July 2, 1925 in Hwanghae Province, in what is now North Korea. He moved to Seoul in 1939, and after entering Dongduk University as a Korean Language major, he decided to become a playwright after seeing the plays of Yu Chi-jin and Lee Hae-rang.
Jun 28, 2009 · Yu Hyun-mok (July 2, 1925 – June 28, 2009) was a South Korean film director. Born in Sariwon, Hwanghae, Korea (North Korea today), he made his film debut in 1956 with Gyocharo (Crossroads). According to the website koreanfilm.org, his 1961 film Obaltan "has repeatedly been voted the best Korean film of all time in local critics' polls."
Producer. IMDbPro Starmeter See rank. Yu Hyun-mok was born on 2 July 1925 in Sariwon, Hwanghae Province, North Korea. Yu was a director and editor, known for Eommawa byeolgwa malmijal (1995), Salamui adeul (1980) and Ilheobeolin cheongchun (1957). Yu died on 28 June 2009 in Ilsan, South Korea.
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One of Korea’s most venerated filmmakers, YU Hyun-mok was born in 1925 and made his feature film debut with in 1956. Though he consistently made films though the late 1950s and into the 60s, his work reached a higher plain when he made in 1961. A gritty, almost neo-realist social drama, is widely considered to be one of the greatest Korean films of all time, frequently occupying top spots on ...
