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Two con artists have spent 26 years training their only daughter to swindle, scam and steal at every turn. During a desperate and hastily conceived heist, they charm a stranger into joining them ...
- (214)
- Comedy, Drama
- R
Every minute of Kajillionaire, the latest quirky film from quirky filmmaker, actress, artist and writer Miranda July, is peculiar, specific, intentional and successful. Full Review | Jun 17, 2021
Rotten Tomatoes lists an approval rating of 90% based on 206 reviews, with an average rating of 7.4/10. The site's critical consensus reads, "Whether you see Kajillionaire as refreshingly unique or simply bizarre will depend on your cinematic adventurousness—and fans of writer-director Miranda July wouldn't have it any other way."
Sep 24, 2020 · Kajillionaire. Crime. 106 minutes ‧ R ‧ 2020. Tomris Laffly. September 24, 2020. 4 min read. Her unconventional stories and eccentric humor might suggest otherwise at first glance, but there is always profoundly heavy stuff at the heart of Miranda July ’s work.
Kajillionaire: Directed by Miranda July. With Richard Jenkins, Debra Winger, Evan Rachel Wood, Patricia Belcher. A woman's life is turned upside down when her criminal parents invite an outsider to join them on a major heist they're planning.
View HD Trailers and Videos for Kajillionaire on Rotten Tomatoes, then check our Tomatometer to find out what the Critics say.
Sep 23, 2020 · Richard Brody writes about Miranda July’s new film, “Kajillionaire,” which stars Richard Jenkins, Debra Winger, Evan Rachel Wood, and Gina Rodriguez as desperate scammers.
Sep 24, 2020 · Old Dolio Dyne, played by a remarkable Evan Rachel Wood, is a gloomy young woman with Cousin Itt’s hair, Eeyore’s soul and a lumpy green tracksuit that she wears constantly, even though it looks...
Quirky grifter comedy is short on laughs; strong language. Read Common Sense Media's Kajillionaire review, age rating, and parents guide.
Oct 8, 2020 · Kajillionaire is a beautiful, deeply empathetic film – it’s July’s best yet, perfectly balancing the director’s irrepressible earnestness with a psychoanalytical need to understand how...
