Search results
Oct 16, 2014 · Martinez’s challenge was unearthing enough ideas to fill the ten hours of screentime. The composer says an average film takes him about five to 12 weeks to score. “ The Knick was six months ...
- Matt Patches
- Contributor
Jul 21, 2016 · Martinez, 62, has just completed the score for The Neon Demon. Out on July 8, it's his third film with Drive director Nicholas Winding Refn. Here Martinez talks to WIRED about composing,...
Dec 3, 2020 · It was 30 years ago, in August, that Pump Up the Volume came out on the big screen, with its reluctant hero, “Hard Harry,” played by Christian Slater, urging his young listeners to find their ...
Host Daniel Schweiger of the Film Music Institute interviews Cliff Martinez for Film Music Live. Cliff talks about his high-tech Herrmann-esque take for frequent collaborator Steven Soderbergh’s new super-wired, pandemic thriller! Director/Composer Interview: Nicolas Winding Refn & Cliff Martinez.
Nov 27, 2014 · Cliff Martinez interview: The Knick, Soderbergh, composing for film and games | Den of Geek. Features. Cliff Martinez interview: The Knick, Soderbergh, composing for film and games....
Nov 30, 2016 · You’re not in the spotlight. Your job is the make other guy look good, and that’s what film music does. By Cliff Martinez on. The playfully experimental composer discusses early work for Pee-wee’s Playhouse and collaborating with Steven Soderbergh.
Jul 1, 2016 · Home. Features. Craft. How ‘Neon Demon’ Composer Cliff Martinez Balanced Humor, Horror & Bernard Herrmann Temp Tracks. Steven Soderbergh and Nicolas Winding Refn's go to composer explains why...
