Search results
Equus is a 1973 play by Peter Shaffer, about a child psychiatrist who attempts to treat a young man who has a pathological religious fascination with horses. [1] Shaffer was inspired to write Equus when he heard of a crime involving a 17-year-old boy who blinded six horses in a small town in northern England.
- Peter Shaffer
- 1973
Synopsis. Dr. Martin Dysart, a dissatisfied and disaffected psychiatrist, is faced with a unique case when a young man, Alan Strang, is brought to him for treatment. Alan, a passionate and obsessive horse lover, has blinded six horses, to the horror and surprise of his family.
Equus, drama in two acts by Peter Shaffer, produced and published in 1973. It depicts a psychiatrist’s fascination with a disturbed teenager’s mythopoeic obsession with horses. The drama unfolds through the eyes of Martin Dysart, a psychiatrist and an amateur mythologist, who narrates the events of
- The Editors of Encyclopaedia Britannica
Equus Summary. Next. Act 1. Equus, a play in two acts, is set in Rokesby Psychiatric Hospital in southern England. Most of the action takes place in this hospital—specifically in psychiatrist Martin Dysart ’s office. However, as characters in Dysart’s office discuss and reconstruct past events in the life of Alan Strang, the play’s ...
Equus is a 1973 play by Peter Shaffer, about a child psychiatrist who attempts to treat a young man who has a pathological religious fascination with horses.
People also ask
Who wrote Equus?
Is Equus a play?
Is Equus a play that takes risks and emerges victorious?
What is Equus by Peter Shaffer about?
“Equus” by Peter Shaffer is a play that gallops through the depths of the human psyche, exploring the complex relationship between passion, religion, and sanity. Written by the British playwright Peter Shaffer in 1973, “Equus” has intrigued and captivated audiences and readers alike with its unique storyline and profound themes.
May 29, 2018 · Equus depicts the state of mind of Alan Strang, the imaginative, emotionally-troubled stableboy who serves as the play’s protagonist. In relating his themes, Shaffer combines psychological realism with expressionistic theatrical techniques, employing such devices as masks, mime, and dance.