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She found work as a voice actress in radio during the war, which earned her more money and attention than stage acting. It was as a radio artist that Masina met Federico Fellini, a radio scriptwriter. They married in 1943, and a few months later, Masina suffered a miscarriage after falling down a flight of stairs.
Sep 23, 2010 · In the fifth of their immortal collaborations, Federico Fellini and the exquisitely expressive Giulietta Masina completed the creation of one of the most indelible characters in all of cinema: Cabiria, an irrepressible, fiercely independent sex worker who, as she moves through the sea of Rome’s humanity, through adversity and heartbreak, must ...
- Cabiria
Apr 23, 2024 · Giulietta Masina was an Italian motion-picture actress and the wife of Italian film director Federico Fellini. Her portrayal of waiflike innocents served as the emotional focal point for some of Fellini’s best films. Masina began acting in student theatre productions when she was in her teens.
- The Editors of Encyclopaedia Britannica
Mar 24, 1994 · Giulietta Masina, the waiflike actress who became one of Italy's best-known movie stars, died today in a Rome hospital less than five months after the death of her husband, the director...
La strada ( The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman ( Giulietta Masina) bought from her mother by Zampanò ( Anthony Quinn ), a brutish strongman who takes her with him on the road.
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May 19, 2017 · The first ever winner of the Oscar for best foreign film, 60 years ago, Federico Fellini’s La strada put his wife Giulietta Masina centre stage in an affecting road movie that became a landmark in world cinema. 19 May 2017. By Pasquale Iannone. La strada (1954) Watch La strada on BFI Player.
With this breakthrough film, Federico Fellini launched both himself and his wife and collaborator Giulietta Masina to international stardom, breaking with the neorealism of his early career in favor of a personal, poetic vision of life as a bittersweet carnival.
