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  1. Au Revoir, les enfants

    Au Revoir, les enfants

    PG1988 · Drama · 1h 44m

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  1. Au revoir les enfants (French pronunciation: [o ʁə.vwaʁ le zɑ̃.fɑ̃], meaning "Goodbye, Children") is an autobiographical 1987 film written, produced, and directed by Louis Malle. It is based on the actions of Père Jacques, a French priest and headmaster who attempted to shelter Jewish children during the Holocaust.

  2. Feb 12, 1988 · Goodbye, Children: Directed by Louis Malle. With Gaspard Manesse, Raphael Fejtö, Francine Racette, Stanislas Carré de Malberg. A French boarding school run by priests seems to be a haven from World War II until a new student arrives.

    • (36K)
    • Drama, War
    • Louis Malle
    • 1988-02-12
  3. Mar 15, 2011 · Given such moments, Au revoir les enfants —for all its tragic subject matter and its elegiac finale—is anything but depressing. In the last scene, as the three Jewish boys and Père Jean are led away to their deaths, Bonnet glances back, and Julien (or, rather, the young Louis Malle) raises his hand in timid salute.

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  5. Au revoir les enfants est un film franco-germano-italien réalisé par Louis Malle, sorti en 1987. Il présente l'histoire romancée, vue par un collégien, du père Jacques de Jésus , prêtre résistant qui a caché des enfants juifs dans son collège.

    • voir Musique
    • Louis Malle
    • Louis Malle
  6. May 7, 2006 · One of the foundations of Louis Malle's "Au revoir les enfants" (1987) is how naturally he evokes the daily life of a French boarding school in 1944. His central story shows young life hurtling forward; he knows, because he was there, that some of these lives will be exterminated.

  7. France, 1987 / French (Hebrew trans.) / 85 minutes (color) “Au revoir les enfants” – director: Louis Malle. The film we will discuss in this issue had its beginnings in France, when director Louis Malle was a young student at the Petit Collège des Carme, a Christian school in Avon (Seine-et-Marne). The principal of the school, Lucien ...

  8. Mar 15, 2011 · At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

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