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  1. Mary was the main character in the 1833 eponymous novel Mary of Burgundy, or The Revolt of Ghent by George Payne Rainsford James. In the novel, she was depicted as the representation of maternalistic feudalism that the author espoused.

  2. Mary of Burgundy. On view at The Met Fifth Avenue in Gallery 953. Mary, duchess of Burgundy (1457–1482), was the first wife of Emperor Maximilian I, whom she married in 1477. She wears a tall Burgundian hennin, or steeple headdress, characteristic of 1470s fashion.

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  4. Records on this painting are unclear, but he is most likely painting the portrait of ruler Mary of Burgundy, who is accompanied by her husband, Maximilian of Austria, and their son. Koller relied on costumes and scenery to make the imagined encounter convincing, enlivening it with details like the begging dog.

  5. The Master of Mary of Burgundy was a Flemish illuminator, painter and draughtsman active between 1469-1483 in Flanders, probably in Ghent. His notname is derived from two books of hours attributed to him, the Vienna Hours of Mary of Burgundy and another books of hours, now in Berlin, also for Mary of Burgundy. [1]

  6. Jan 18, 2024 · The anonymous painter known as the Master of Mary of Burgundy was one of the most talented and inventive of South Netherlandish illuminators. Deeply influenced by the leading painters from Ghent, especially Hugo van der Goes, he introduced to the pages of books a new subtlety and richness in the depiction of light and color and an emotional ...

  7. The Master of Mary of Burgundy was a Flemish illuminator, painter and draughtsman active between 1469-1483 in Flanders, probably in Ghent.

  8. Mary of Burgundy (1457–1482), the daughter and heiress of Charles the Bold, Duke of Burgundy, died unexpectedly in a riding accident. Barre depicted the moment just before her tragic fall, as she hunts with a falcon, accompanied by a page.

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