Blow-Up
1967
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Michelangelo Antonioni (/ ˌ æ n t oʊ n i ˈ oʊ n i /, Italian: [mikeˈlandʒelo antoˈnjoːni]; 29 September 1912 – 30 July 2007) was an Italian director and filmmaker. He is best known for his "trilogy on modernity and its discontents" —L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—as well as the English-language film ...
Jan 11, 2024 · Antonioni’s trilogy explores a cinema where sensations are not based on actions but on poetic situations of the experience of inconsolable loneliness. Scenes, such as facial expressions, landscapes, and signs, have the potential to convey meanings beyond preconceived meanings.
The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La notte), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon).
- Piero
Jul 1, 2022 · Michelangelo Antonioni’s last film in black and white, L’eclisse (1962) completes the unofficial trilogy formed along with L’avventura (1960) and La notte (1961). In them, the psychological disturbance beneath the gloss of the good life of early 60s Italy is rendered with glacial unease.
Jan 20, 2021 · Following the wanderings of an estranged couple over a single day in 1960s Milan, the middle part of Michelangelo Antonioni’s classic alienation trilogy unmasked the aimless hedonism of modern life.
Michelangelo Antonioni’s Early “Trilogy of Decadence”: L’avventura (1960), La notte (1961), L’eclisse (1962) Chapter. pp 133–152. Cite this chapter. Download book PDF. Download book EPUB. Decadence in Literature and Intellectual Debate since 1945. Jakob Willis. 164 Accesses. Abstract.
Jun 5, 2014 · The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La note ), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon).
