Yahoo Web Search

Search results

  1. People also ask

  2. The film's exploration of duality, insanity, and personal identity has been interpreted as reflecting the Jungian theory of persona and dealing with issues related to filmmaking, vampirism, homosexuality, motherhood, abortion, and other subjects.

    • Persona―Theatrical Mask
    • The Journey Begins
    • The Individual
    • History
    • Social Order

    Among all film critics, Jacques Mandelbaum’s descriptions perhaps best fit the theme of the discussion below: the film is about “the reversible nature of appearances, the porosity of faces and absolute deprivation.” 2 The theatrical promotional posters of Persona, which advertised with the close-up shots of the lead actresses, confirm the importanc...

    In Persona, such exploration of the dark side of humanity starts off with the filming process, with film rolling and filming equipment turning on. This scene echoes with the ending scene, in which the audience will again see the same filming process. Such matching works function as a hint to show that this film is about the filming of a film, that ...

    Segregation from the outside world begins at the beginning of the film, when the psychiatrist assigns Elisabet to nurse Alma in a mental hospital. Elisabet is then seen in her vast hospital room, equipped with nothing but a bed, a radio and a television. The radio and television shows are the only intrusions from the outside world in the all-encomp...

    Earlier in Persona, Elisabet is seen pacing around her hospital room while the television shows a clip believed to be the self-immolation by Vietnamese monk Thích Quảng Đức in 1963 in protest of the government’s persecution of Buddhist monks, to which Elisabet recoils in a horrified facial expression. Elisabet will face similar human atrocities aga...

    As mentioned above, imprisonment does not only appear as a motif in Persona, it also appears in Bergman’s Fanny and Alexander. Alexander and his sister Fanny’s disobedience brought them punishments―being locked up in the attic by their stepfather Bishop Edvard. Ismael is also imprisoned on the lowest level of the house, for his possession of the ex...

  3. Persona Ending Explained: Of Masks, Doubles, And The Delicate Nature Of Identity - IMDb. In Ingmar Bergman 's " Persona ," two women — a nurse and a stage actor — are brought together by sheer circumstance, which forces them to reckon with essential truths about one another.

  4. Dive deep into the cinematic brilliance of Ingmar Bergman's "Persona" with our in-depth film analysis! 🎥 Don't forget to subscribe for more thought-provokin...

  5. Apr 9, 2014 · Shot in 1965, when its director was suffering from deep depression, Persona is Ingmar Bergman’s most radical work—a minimalist two-hander (in which only one person speaks...

  6. Jan 14, 2014 · On one level, Persona seems to be a confessional by Bergman on his ruthlessness, and that of other artists, in finding material for their work in the real suffering of people. Thus, actress Liv Ullmann uses the revelation by nurse Bibi Andersson (in her film-long monologue) of indiscreet behavior. Andersson graduated from the same theater ...

  7. www.bfi.org.uk › film › d58fc7f8-fd9a-5f17-88e8Persona (1966) | BFI

    Persona has virtually defined the outer reaches of subsequent ‘art’ cinema, influencing visionary directors from Robert Altman and Nicolas Roeg to David Lynch and Olivier Assayas. Its iconography has become pervasive – Andersson’s cool blackrimmed sunglasses, the haunting images of the two women facing the camera, all beautifully ...

  1. People also search for