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  1. Renaissance Revival architecture (sometimes referred to as " Neo-Renaissance ") is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes.

  2. The Renaissance Revival Room comes from the "princely mansion" built for Jedediah Wilcox and his wife Henrietta. This fashionable rear parlor, or sitting room, with its coordinating architectural details and richly ornamented decoration, includes its original suite of furniture.

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  4. The Renaissance Revival styles of the 1860s and 1870s marked the first period in which fine designs were used for mass-produced furnishings. Furniture from the 1870s ranged from works made in shops employing skilled craftsmen to the products of large Midwestern factories.

  5. Italian Renaissance interior design refers to interior decorations, furnishing and the decorative arts in Italy during the Italian Renaissance period (c. mid-14th century – late-16th century).

  6. Much like Henri II buffets, French Renaissance wardrobes feature the rich sculptural ornamentation ( niches, pediments, pilasters, caryatids, festoane) characteristic of much Renaissance furniture [1] The Henry II style was the chief artistic movement of the sixteenth century in France, part of Northern Mannerism.

  7. Renaissance Revival (1850-1875) The furniture of the Rococo period was characteristically heavy, ornate, and carved, but toward the end of the period and into the twentieth century, the style became even heavier, more ornate, and more deeply carved. Today it is classified as Renaissance Revival. Once again, comfort was ignored by the designer.

  8. Mar 27, 2024 · Renaissance Revival architecture grew big in Europe and North America during the 1800s. Buildings started to look more classic, like those from ancient Greece and Rome. They had large columns and arches that made them look grand. In the United States, these buildings showed how powerful the country was becoming.

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