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  1. tarynsimon.comTaryn Simon

    Aug 31, 2003 · True Pictures? Sprengel Museum, Hannover, Germany. November 6, 2021 – February 13, 2022. Museum der Moderne, Salzburg, Austria.

  2. en.wikipedia.org › wiki › Taryn_SimonTaryn Simon - Wikipedia

    Taryn Simon (born February 4, 1975) is an American multidisciplinary artist who works in photography, text, sculpture, and performance. Currently residing and maintaining a studio practice in New York City , Simon has had work featured in the Venice Biennale (2015).

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  4. gagosian.com › artists › taryn-simonTaryn Simon | Gagosian

    Apr 12, 2018 · Learn about the work and career of artist Taryn Simon. Artworks, biography, exhibitions, editorial content, news, museum exhibitions, press, and more.

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  5. www.britannica.com › biography › Taryn-SimonTaryn Simon | Biography, Photography, & Facts | Britannica

    May 6, 2024 · Taryn Simon (born February 4, 1975, New York City, New York, U.S.) is an American photographer known for her formal, richly textured images, usually captured with an antique large-format camera.

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    • Taryn Simon | Biography, Photography, & Facts | Britannica
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    • Taryn Simon: A Living Man Declared Dead - The Eye of Photography Magazine
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  7. www.moma.org › artists › 41212Taryn Simon | MoMA

    Taryn Simon (born February 4, 1975) is an American multidisciplinary artist who works in photography, text, sculpture, and performance. Currently residing and maintaining a studio practice in New York City, Simon has had work featured in the Venice Biennale (2015).

  8. gagosian.com › exhibitions › 2021Taryn Simon: The Color of a Flea’s Eye: The ... - Gagosian

    Gagosian is pleased to announce The Color of a Flea’s Eye: The Picture Collection by Taryn Simon, an exhibition in two parts at Gagosian 976 Madison Avenue and, opening this fall, at the New York Public Library at 42nd Street and Fifth Avenue.

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  10. tarynsimon.com › works › innocentsTaryn Simon

    The scene of the crime is at once arbitrary and crucial—a place that changed their lives forever, but to which they had never been. In these photographs, Simon confronts photography’s ability to blur truth and fiction—an ambiguity that can have severe, even lethal consequences.

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