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- Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films.
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Feb 4, 2023 · Why 'Videodrome' Is Still So Damned Scary. While body horror hasn’t slowed down since its heyday in the 1980s, ever lurching forward with oozing new releases and flesh-tearing hits, the king of ...
- Harrison Chute
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films.
Feb 17, 2024 · The ending of "Videodrome" is one of the most confusing moments of the film. At first, we want to believe that the O'Blivions are righteous and that Max can be redeemed by them. However, once ...
Dec 16, 2022 · The Plot of Videodrome Explained. Videodrome starts relatively calmly. We’re introduced to Max Renn (played deftly by James Woods), a nauseatingly sleazy TV executive who is bent upon achieving good ratings for his tiny channel by any means necessary. Pornography, violence, and exploitation are all fair game.
Dec 7, 2010 · In its scripted form, Videodrome is nothing less than a prophecy of the CGI era; concepts that it could not afford to realize on-screen in 1983 are now the stuff of rock videos and television commercials—the very wallpaper of twenty-first-century living.
Aug 3, 2015 · Videodrome, Max learns, is an underground show which deals exclusively in torture, rape and murder. A single, locked-off camera shows its victims – usually female – chained...
Jul 27, 2022 · Videodrome is a film that begins as it ends, or ends as it begins. It is a strange, cathode-tubed ouroboros—the ancient symbol for the cycle of destruction and rebirth—in which the film’s ending repeats and then destroys and then possibly rebirths its beginning, a phosphorescent loop of UHF philosophizing, pixelated eroticism, and ...
