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Sargent captures Stevenson’s nervous energy, showing him "walking about and talking." He strides away from his wife, Fanny Stevenson (1840– 1914), who, draped in exotic garb, is the peripheral, and apparently passive, figure in the painting, despite her redoubtable personality.
Dating from 1885, by John Singer Sargent, a celebrated American portrait painter, it shows the Scottish novelist with his wife, Fanny, ten years his senior. She was married with two children when Stevenson met her, but he pursued her across the Atlantic, travelling steerage on the crossing and ending with a gruelling overland trek to California.
Feb 18, 2024 · The painting, completed in 1885, features the Scottish author Robert Louis Stevenson and his American wife Fanny Osbourne in an intimate setting. Sargent, known for his masterful portrait paintings, skillfully conveys the bond between the couple through their gestures and expressions.At first glance, the painting may seem like a traditional ...
Portrait of Fanny Stevenson. Bournemouth , 1885 After Hervey's death, Fanny moved to Grez-sur-Loing , where she met and befriended Robert Louis Stevenson . [5]
Robert Louis Stevenson. This is the third of Sargent’s portraits of Stevenson (1850–1894). Like the double portrait nearby, it was painted in Stevenson’s home in Bournemouth, England.
May 22, 2019 · The much-remarked upon threshold space of Sargent's portrait of Fanny and Robert Louis Stevenson takes on new meaning in light of James's theories. The disruptive painted doorway, a recurring motif throughout Sargent's interior portraits, draws attention to the composition's discontinuities and disjunctions.
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Nov 13, 2013 · Contrary to the situation pictured by Sargent, Fanny was an immensely formative force in Stevenson’s life. She was nearly as close to his work as he was, his first reader, his conscience, his antagonist.
