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Associate Professor, Cross Appointed with the Gender and Social Justice program. kim.h.nguyen@uwaterloo.ca. (519) 888-4567 x 49152. Location: ML 236A. Kim Hong Nguyen (she/they) is a scholar of Vietnamese descent appointed as Associate Professor of Communication Arts, at the University of Waterloo. Born and raised on the traditional lands of ...
KH Nguyen. Howard Journal of Communications 24 (3), 293-308. , 2013. 13. 2013. “Without the Luxury of Historical Amnesia”: The Model Postwar Immigrant Remembering the Vietnam War Through Anticommunist Protests. K Nguyen. Journal of Communication Inquiry 34 (2), 134-150. , 2010.
Kim Hong Nguyen | Gender and Social Justice. Associate Professor, Department of Communication Arts. Contact Information. kim.h.nguyen@uwaterloo.ca. 519-888-4567 x49152. Location: ML 236A. Groups. Program members. Links. Link to profile: Personal website. Additional Information. Pronouns: she/they.
Feb 5, 2024 · Kim Hong Nguyen, author of Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss, answers questions on her new book. Q: Why did you decide to write this book? Am I a feminist? What feminist wave are we in? Is being nice to other girls and women necessary to feminism? What kind of feminist are you? Is that feminism?
Associate Professor, Department of Communication Arts. Areas of Specialization. political correctness or civility of a word, a trope, an expression, an analogy, or a cultural practice, white liberal feminism from a postcolonial and intersectional lens. kim.h.nguyen@uwaterloo.ca. 519-888-4567 x49152.
Jan 30, 2019 · Kim Hong is an assistant professor in Communication Arts and a faculty representative for Waterloo Women’s Wednesdays. Kim, what do you teach and research? My research and teaching explore the relationship between equity, power, and identity in public controversies related to communication practices.
Jan 9, 2024 · Kim Hong Nguyen. White feminists performing to maintain privilege Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.
