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What is an example of a mechanism of death?
What is the difference between a cause and a mechanism of death?
Is death a process?
What is a manner of death?
May 12, 2022 · Mechanism of death is the immediate physiologic derangement resulting in death, such as hemorrhage, sepsis, asphyxia. Learn how to distinguish mechanism of death from cause of death and manner of death, and see examples of death certificate entries.
Learn the difference between cause, mechanism, and manner of death, and how they are determined by forensic investigators. See examples of each category and how they affect legal and statistical outcomes.
Nov 30, 2017 · PEA is not primary cardiac arrest, but is, instead, a late stage in a process of dying that most likely began as arrest of brain, lungs and/or the vascular system. The various patterns of organ failure are delineated and described as mechanisms of dying ( Figure 1 ). Figure 1. Sequence of organ failure in clinical death.
- David C. Parish, Hemant Goyal, Francis C. Dane
- 10.21037/jtd.2018.04.113
- 2018
- J Thorac Dis. 2018 May; 10(5): 3081-3087.
- Overview
- Death: process or event
- The “point of no return”
The American physician and writer Oliver Wendell Holmes said “to live is to function” and “that is all there is in living.” But who or what is the subject who lives because it functions? Is death the irreversible loss of function of the whole organism (or cell)—that is, of every one of its component parts? Or is it the irreversible loss of function of the organism (or cell) as a whole—that is, as a meaningful and independent biological unit? To perceive the difference between the two questions is to understand many modern controversies about death. The described dichotomy is clearly part of a much wider one: civilizations fall apart yet their component societies live on; societies disintegrate but their citizens survive; individuals die while their cells, perversely, still metabolize; finally, cells can be disrupted yet the enzymes they release may, for a while, remain active.
Such problems would not arise if nature were tidier. In nearly all circumstances human death is a process rather than an event. Unless caught up in nuclear explosions people do not die suddenly, like the bursting of a bubble. A quiet, “classical” death provides perhaps the best illustration of death as a process. Several minutes after the heart has stopped beating, a mini-electrocardiogram may be recorded, if one probes for signals from within the cardiac cavity. Three hours later, the pupils still respond to pilocarpine drops by contracting, and muscles repeatedly tapped may still mechanically shorten. A viable skin graft may be obtained from the deceased 24 hours after the heart has stopped, a viable bone graft 48 hours later, and a viable arterial graft as late as 72 hours after the onset of irreversible asystole (cardiac stoppage). Cells clearly differ widely in their ability to withstand the deprivation of oxygen supply that follows arrest of the circulation.
The American physician and writer Oliver Wendell Holmes said “to live is to function” and “that is all there is in living.” But who or what is the subject who lives because it functions? Is death the irreversible loss of function of the whole organism (or cell)—that is, of every one of its component parts? Or is it the irreversible loss of function of the organism (or cell) as a whole—that is, as a meaningful and independent biological unit? To perceive the difference between the two questions is to understand many modern controversies about death. The described dichotomy is clearly part of a much wider one: civilizations fall apart yet their component societies live on; societies disintegrate but their citizens survive; individuals die while their cells, perversely, still metabolize; finally, cells can be disrupted yet the enzymes they release may, for a while, remain active.
Such problems would not arise if nature were tidier. In nearly all circumstances human death is a process rather than an event. Unless caught up in nuclear explosions people do not die suddenly, like the bursting of a bubble. A quiet, “classical” death provides perhaps the best illustration of death as a process. Several minutes after the heart has stopped beating, a mini-electrocardiogram may be recorded, if one probes for signals from within the cardiac cavity. Three hours later, the pupils still respond to pilocarpine drops by contracting, and muscles repeatedly tapped may still mechanically shorten. A viable skin graft may be obtained from the deceased 24 hours after the heart has stopped, a viable bone graft 48 hours later, and a viable arterial graft as late as 72 hours after the onset of irreversible asystole (cardiac stoppage). Cells clearly differ widely in their ability to withstand the deprivation of oxygen supply that follows arrest of the circulation.
To claim that death is a process does not imply that this process unfurls at an even rate, or that within it there are not “points of no return.” The challenge is to identify such points with greater precision for various biological systems. At the clinical level, the irreversible cessation of circulation has for centuries been considered a point of no return. It has provided (and still provides) a practical and valid criterion of irreversible loss of function of the organism as a whole. What is new is the dawning awareness that circulatory arrest is a mechanism of death and not in itself a philosophical concept of death; that cessation of the heartbeat is only lethal if it lasts long enough to cause critical centres in the brain stem to die; and that this is so because the brain stem is irreplaceable in a way the cardiac pump is not. These are not so much new facts as new ways of looking at old ones.
Failure to establish beyond all doubt that the point of no return had been reached has, throughout the ages, had interesting effects on medical practice. The Thracians, according to the ancient Greek historian Herodotus, kept their dead for three days before burial. The Romans kept the corpse considerably longer; the Roman author Servius, in his commentary on Virgil, records that “on the eighth day they burned the body and on the ninth put its ashes in the grave.” The practice of cutting off a finger, to see whether the stump bled, was often resorted to. Even the most eminent proved liable to diagnostic error. The 16th-century Flemish physician Andreas Vesalius, probably the greatest anatomist of all time, professor of surgery in Padua for three years and later physician to the Holy Roman emperor Charles V, had to leave Spain in a hurry in 1564. He was performing a postmortem when the subject, a nobleman he had been attending, showed signs of life. This was at the height of the Spanish Inquisition and Vesalius was pardoned only on the condition that he undertake a pilgrimage to the Holy Sepulchre in Jerusalem.
Fears of being buried alive have long haunted humankind. During the 19th century, for example, accounts of “live sepulture” appeared in medical writing and led to repeated demands that putrefaction—the only sure sign of death of the whole organism—be considered an essential prerequisite to a diagnosis of death. Anxieties had become so widespread following the publication of some of U.S. author Edgar Allan Poe’s macabre short stories that Count Karnice-Karnicke, a Russian nobleman, patented a coffin of particular type. If the “corpse” regained consciousness after burial, it could summon help from the surface by activating a system of flags and bells. Advertisements described the price of the apparatus as “exceedingly reasonable, only about twelve shillings.”
At the turn of the century, a sensation-mongering press alleged that there were “many ugly secrets locked up underground.” There may have been some basis for these claims: instances of collapse and apparent death were not uncommon during epidemics of plague, cholera, and smallpox; hospitals and mortuaries were overcrowded, and there was great fear of the spread of infection. This agitation resulted in stricter rules concerning death certification. In the United Kingdom, statutory obligations to register deaths date only from 1874, and at that time it was not even necessary for a doctor to have viewed the corpse.
The second half of the 20th century has seen tremendous developments in the field of intensive care and the emergence of new controversies concerning the point of no return. Modern technology now makes it possible to maintain ventilation (by respirators), cardiac function (by various pumping devices), feeding (by the intravenous route), and the elimination of the waste products of metabolism (by dialysis) in a body whose brain is irreversibly dead. In these macabre by-products of modern technology, a dissociation has taken place between the various components of death so that the most important—the death of the brain—occurs before, rather than after, the cessation of other functions, such as circulation. Such cases have presented both practical and conceptual problems, but the latter need not have arisen had what happens during decapitation been better appreciated.
“Beating-heart cadavers” were of course familiar to the observant long before the days of intensive care units. A photograph of a public decapitation in a Bangkok square in the mid-1930s illustrates such a case. The victim is tied to a stake and the head has been severed, but jets of blood from the carotid and vertebral arteries in the neck show that the heart is still beating. It is doubtful that anyone would describe the executed man—as distinct from some of his organs—as still alive. This gruesome example stresses three points: it reiterates the fact, admittedly from an unusual angle, that death is a process rather than an event; it emphasizes the fact that in this process there is a point of no return; and it graphically illustrates the difference between the death of the organism as a whole and the death of the whole organism. In thinking the implications through, one takes the first steps toward understanding brain death. The executed man has undergone anatomical decapitation. Brain death is physiological decapitation: it arises when intracranial pressure exceeds arterial pressure, thereby depriving the brain of its blood supply as efficiently as if the head had been cut off. The example serves as an introduction to the proposition that the death of the brain is the necessary and sufficient condition for the death of the individual.
Dec 28, 2019 · The mechanism, however, refers to the exact, explicit reason that caused the death to occur. This includes things like lack of oxygen or blood loss. So, if a 30-year-old female passed away after getting shot, the manner of death would be homicide but the mechanism of death would likely be blood loss.
Mechanism of death is the process that causes vital organs or organ systems to fail after a lethal event. Find examples, divisions and contrast with immediate and underlying causes of death from different medical sources.
The manner of death is distinct from the mode, cause, and mechanism of death in so far as the manner is the root cause of how the death occurred (e.g., “homicide” involving an axe attack), while the cause is the disease or injury that causes death (e.g., an “axe wound”), the mechanism is the physiological derangement that causes death ...
