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Dec 5, 2014 · By Parul Sehgal. Dec. 5, 2014. “The Sexual Night” is a damp little relic, the sort of psychosexual mumbo jumbo one thought — one hoped — wouldn’t survive Norman Mailer. Alas, the ...
Dec 29, 2015 · Pascal Quignard’s work belongs in a no-mans-land between what is long since past and what is still to come, reeling on the edges between literature, antiquarianism and philosophy. Texts like The Roving Shadows and Abysses seem so fresh yet also inevitable in terrain carved by writers like Calasso, Sebald, John Berger and Cixous.
Mar 24, 2017 · The Hatred of Music. Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by the intersections Quignard unearths between the mind and the world of ...
Dec 22, 2023 · BIOFICTION AS A TOOL FOR REACTUALISING HISTORY IN PASCAL QUIGNARD’S PROSE: SPECIFICS OF THE NARRATIVE STRUCTURE. Articles. https://doi.org/10.34142/astraea.2023.4.2.04. Published December 22, 2023. Oksana SAVYCH +. Abstract.
May 17, 2024 · Yale University Press, 216 pp., $26. By John Taylor. Pascal Quignard’s The Hatred of Music, published in France some twenty years ago and now finely translated, has—to say the least—a provocative title.
Pascal Quignard (French:; born 23 April 1948) is a French writer born in Verneuil-sur-Avre, Eure. In 2002 his novel Les Ombres errantes ( The Roving Shadows ) won the Prix Goncourt , France's top literary prize. [2]
May 21, 2015 · Quignard’s musings on the tragic voice, which exhibits a Nietzschean provenance, offer a provocative demonstration of what can be achieved and what can fail in a philology that resists the words’ passage into signification. Keywords: philology, music, the voice, mourning, language, silence. Subject.
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