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The Pisa Baptistery is an example of the transition from the Romanesque style to the Gothic style: the lower section is in the Romanesque style, with rounded arches, while the upper sections are in the Gothic style, with pointed wimpergs and a rich figurative program.
- 1363
- Roman Catholic
- Piazza del Duomo, 23, 56126 Pisa PI, Italy
- .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct,.mw-parser-output .geo-inline-hidden{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}43°43′24″N 10°23′38″E / 43.72333°N 10.39389°E
The unique manner in which it has been designed is evidence of intricately built Italian architecture. The baptistery has been built by utilizing white marble, which gives it a look of splendor. When you enter the cathedral, you will find an Octagonal font right at its centre.
Jan 11, 2024 · Key features. The Baptistery is renowned for its beautiful Romanesque architecture, featuring a circular plan with three levels. Its exterior is clad in white marble and adorned with a series of arches and columns, showcasing a blend of Romanesque and Gothic influences.
The pulpit in the Pisa Baptistery was completed by Nicola Pisano and his assistants in 1260, and has long been regarded as a landmark in Italian art, especially for its large relief panels around the platform.
Oct 27, 2021 · Architectural furnishings in Pisa, such as Nicola Pisano’s pulpit or Guido Bigarelli da Como’s font in the baptistery, are some of the most celebrated pieces of Italian sculpture. Scholarship of these often directly complements the study of their respective architectural settings. Overviews.
A prodigious building. With a circumference of 107.24 metres, walls 2.63 metres thick at the base, and a height of 54.86 metres, it is the largest baptistery in Italy. The dome is clad with red tiles on the side facing the sea, and with lead sheets to the east.
The construction was begun in 1153 by Diotisalvi, architect of the Church of the Holy Sepulcher, but was completed after a century due to the interruption of the works by Nicola and Giovanni Pisano: this is why the building displays a characteristic mix of two styles, the romanesque and the gothic.
