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- 1967 · Crime drama · 1h 32m
People also ask
Is point blank a good movie?
Is point blank a nihilistic film?
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Is point blank a neo-noir movie?
Angie Dickinson and Lee Marvin in the shattered narrative (and mise-en-scene) of John Boorman's "Point Blank." Now streaming on: Powered by JustWatch. The idea is, the Organization has taken Lee Marvin's $93,000 away from him, and he wants it back again.
A ruthless crook, Walker (Lee Marvin), is betrayed by his partner, Mal Reese (John Vernon), who leaves him for dead on Alcatraz Island. Having survived, Walker returns years later to get revenge.
- (40)
- Lee Marvin
- John Boorman
- Crime, Drama
- An Outsider’S Vision
- A Modern Day Gangster Tale
- This Is Marvin’s Movie
- Looking Past The Film
- The Plight of The Modern Man
- Conclusion
It has been shown repeatedly in cinema that a director working in foreign territory can bring brilliant results. Jules Dassin made Rififi in France, Canadian Ted Kotcheff made Australia’s best film with Wake in Fright, and Polish Roman Polanski made one of the definitive American noir films with Chinatown; these are just some of the examples of tal...
When breaking down the plot of Point Blank, it sounds like a quite conventional neo-noir film, essentially a man vs the mob plot with the undercurrent of the worn-out revenge genre, fueled by the 1970’s nihilistic energy of the time. Lee Marvin stars as Walker (originally named Parker in the novel), a career criminal who is recruited by old friend ...
As seen in the film’s pre-production stages, Lee Marvin was an incredibly important factor in getting it made at all. Whilst most actors like to use their star power to fuel their personal passion projects, this film was much more personal for Marvin, who saw himself within the disillusioned character of Walker. This was something that Boorman caug...
The common interpretation of the bizarre journey of Point Blank is that we’re witnessing Walker’s death dream, with the idea that he died in Alcatraz prison and everything we see is a fantastical revenge fantasy dreamt by the dying protagonist. The film backs up this theory quite frequently with its narrative and stylistic choices, such as the impo...
Walker represents the modern man in other ways, due to his quest for vengeance reflecting that of the normal civilian, who is sold the illusion of free will and the “American Dream”. Throughout the film, Walker is convinced he is a lone wolf in his quest for revenge, one man who is slowly unbuckling the system that screwed him over. This is what ma...
Much like The Great Train Robbery, Point Blankhas had a subtle but revolutionary impact on cinema, most notably the American crime genre and introducing French New Wave tactics into mainstream narratives. The film’s notable scattershot editing was something shocking to witness in 1967, having the same mind-blowing effect on people that Bonnie and C...
- Alex Lines
Point Blank: Directed by John Boorman. With Lee Marvin, Angie Dickinson, Keenan Wynn, Carroll O'Connor. After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the money that was stolen from him.
- (23K)
- Crime, Drama, Thriller
- John Boorman
- 1967-08-31
Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin, co-starring Angie Dickinson, Keenan Wynn and Carroll O'Connor, and adapted from the 1963 crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark.
Point Blank is a visual and storytelling tour de force: From the animal naturalism of Lee Marvin, to the highly influential neo-noir stylings of director John Boorman, so evident in the marvelous shadows and neon signage of the night driving scenes.
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