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Artists like Caravaggio turned to a powerful and dramatic realism, accentuated by bold contrasts of light and dark, and tightly-cropped compositions that enhance the physical and emotional immediacy of the depicted narrative.
Many scholars after Wölfflin addressed these issues: from Erwin Panofsky’s view of the Baroque as a phenomenon unique to Counter-Reformation Italy (the Catholic response to the Protestant Reformation), to John Rupert Martin’s definition of the Baroque as a mentality with shared attitudes towards the world.
May 6, 2024 · It was only with Heinrich Wölfflin’s pioneer study Renaissance und Barock (1888) that the term Baroque was used as a stylistic designation rather than as a term of thinly veiled abuse, and a systematic formulation of the characteristics of Baroque style was achieved.
- The Editors of Encyclopaedia Britannica
Marked by grandeur and an emphasis on movement and drama, the High Baroque began around 1625 and lasted until around 1700. Gian Lorenzo Bernini led and dominated the era, defining the Baroque style in sculpture.
Both the Renaissance and Baroque periods produced remarkable art, they had distinct styles and philosophies. The Renaissance focused on classical ideals and harmony, while the Baroque embraced drama and emotion, leading to a more dynamic and ornate aesthetic.
This chapter delineates the general background for the discussion of the cross in Baroque theology and art: the scientific revolution and its challenges to traditional philosophy and theology, the revolution in thought operated by the explorations and findings of the “age of discovery,” the philosophical beginnings of the Enlightenment; the emer...
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Mar 10, 2021 · “Baroque”—the Word, the Style, the Period. In the context of European history, the period from c. 1585 to c. 1700/1730 is often called the Baroque era. The word “baroque” derives from the Portuguese and Spanish words for a large, irregularly-shaped pearl (“barroco” and “barrueco,” respectively).