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Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999) [1] was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses , and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist ...
- Au Hasard Balthazar
Au hasard Balthazar (French pronunciation: [o a.zaʁ...
- 1983 Film
L'Argent (French pronunciation: [laʁ.ʒɑ̃], meaning "money")...
- Pickpocket
Pickpocket is a 1959 French film written and directed by...
- Diary of a Country Priest
Diary of a Country Priest (French: Journal d'un curé de...
- A Man Escaped
A Man Escaped or The Wind Bloweth Where It Listeth (French:...
- Au Hasard Balthazar
Robert Bresson est un cinéaste français, né le 25 septembre 1901 [1], [2] à Bromont-Lamothe (Puy-de-Dôme) et mort le 18 décembre 1999 à Droue-sur-Drouette [3], [4] (Eure-et-Loir), il est inhumé dans le cimetière de ce village [5].
- 25 septembre 1901Bromont-Lamothe( France)
- Cimetière de Droue-sur-Drouette (d)
- Robert Bresson
Robert Bresson. Writer: Au hasard Balthazar. Robert Bresson trained as a painter before moving into films as a screenwriter, making a short film (atypically a comedy), Public Affairs (1934) in 1934.
- January 1, 1
- Bromont-Lamothe, Puy-de-Dôme, France
- January 1, 1
- Paris, France
L'Argent (French pronunciation: [laʁ.ʒɑ̃], meaning "money") is a 1983 French tragedy film written and directed by Robert Bresson. The film is loosely inspired by the first part of Leo Tolstoy 's posthumously published 1911 novella The Forged Coupon .
Robert Bresson (born September 25, 1901, Bromont-Lamonthe, Puy-de Dôme, France—died December 18, 1999, Droué-sur-Drouette) was a French writer-director who, despite his limited output, has been rightly celebrated as one of the cinema’s few authentic geniuses.
- The Editors of Encyclopaedia Britannica
May 14, 2018 · Bresson was a classic figure of French film and of filmmaking in general, one who boiled the art down to its essentials and favored stark, serious films on basic spiritual themes. He worked mostly with nonprofessional actors, avoided the use of background music, and never toyed with the emotions of an audience.
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Mini Bio. Robert Bresson trained as a painter before moving into films as a screenwriter, making a short film (atypically a comedy), Public Affairs (1934) in 1934. After spending more than a year as a German POW during World War II, he made his debut with Angels of Sin (1943) in 1943.
