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      • When the Philistines take Samson into their temple of Dagon, Samson asks to rest against one of the support pillars. After being granted permission, he prays to God and miraculously recovers his strength, allowing him to bring down the columns – collapsing the temple and killing both himself and the Philistines.
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  2. A.7-1954. Samson Slaying a Philistine is a c, 1562 marble sculpture by Giambologna. It is the earliest of his marble groups for the sculptor to the Medici Grand Dukes of Tuscany, and the only substantial work by the artist to have left Italy. It was commissioned in around 1562 by Francesco de' Medici for a fountain in Florence, but was later ...

  3. Samson Slaying a Philistine was carved by Giambologna (Jean Boulogne, 1529 – 1608), a Flemish sculptor who worked for the Medici family in Florence. Since it was imported to the UK from Italy as a diplomatic gift in the early 17th century, this monumental piece has helped set the bar for aesthetic achievement and technical skill, and both ...

  4. More Information: Samson is seen here wielding the jawbone of an ass in order to slay one of the Philistines who have taunted him. This is the earliest of the great marble groups by Giovanni...

  5. 1560-1562 (carved) Samson is seen here wielding the jawbone of an ass in order to slay one of the Philistines who have taunted him. This is the earliest of the great marble groups by Giovanni Bologna (called Giambologna), and the only substantial work by the artist to have left Italy.

    • Carved marbleMarbleCarved
    • Samson Slaying a Philistine (generic title)
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  6. Jun 1, 2017 · Illustration. A 16th century CE statue by Giovanni Bologna depicting the biblical figure Samson slaying an enemy Philistine in battle as described in the Book of Judges. (Victoria & Albert Museum, London)

  7. His Samson and a Philistine (1567; Victoria and Albert Museum, London) displays violence and anguish in a masterfully contrived composition that recalls such complex Hellenistic pieces as the Laocoön.

  8. The sculpture depicts the dreadful moment before Samson delivers the deadly blow to a Philistine soldier, whose contorted body is pinned to the ground. Made in Britain in the eighteenth century, it is a copy of a famous and influential sculpture carved by Giambologna, a Flemish-born sculptor active in Florence.

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