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From the brow of Hiawatha. Gone was every trace of sorrow, As the fog from off the water, As the mist from off the meadow. With a smile of joy and triumph, With a look of exultation, As of one who in a vision. Sees what is to be, but is not, Stood and waited Hiawatha.
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The Song of Hiawatha: 1855: Song of Hiawatha, The (XI....
- The Song of Hiawatha, The Song of Hiawatha
The Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow which features Native American characters. The epic relates the fictional adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha, a Dakota woman.
Spake these words to Hiawatha: "Yonder dwells the great Pearl-Feather, Megissogwon, the Magician, Manito of Wealth and Wampum, Guarded by his fiery serpents, Guarded by the black pitch-water. You can see his fiery serpents, The Kenabeek, the great serpents, Coiling, playing in the water;
One long track and trail of splendor, Down whose stream, as down a river, Westward, westward Hiawatha. Sailed into the fiery sunset, Sailed into the purple vapors, Sailed into the dusk of evening: And the people from the margin. Watched him floating, rising, sinking, Till the birch canoe seemed lifted.
From the brow of Hiawatha Gone was every trace of sorrow, As the fog from off the water, And the mist from off the meadow. With a smile of joy and triumph, With a look of exultation, As of one who in a vision Sees what is to be, but is not, Stood and waited Hiawatha. Henry Wadsworth Longfellow
In the Islands of the Blessed, In the kingdom of Ponemah, In the land of the Hereafter. Very dear to Hiawatha. Was the gentle Chibiabos, He the best of all musicians, He the sweetest of all singers; For his gentleness he loved him, And the magic of his singing.
This is an introduction to the epic poem 'The Song of Hiawatha,' based on Native American epics and oral traditions. The poem presents the interconnectedness between Native Americans and the natural world, including the forests they inhabit.