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Syrup isn’t just a film. It’s a lesson in modern marketing, a reflection of corporate America, and a cautionary tale about integrity and ambition. While the movie portrays an exaggerated reality, the underlying themes resonate with anyone who’s ever bought a product because of the brand and not just the need.
Apr 14, 2020 · Syrup also offers up some interesting narration explaining the rules of marketing and business, which reflects on the characters as well as some of their actions. Plus we get a couple of cool cameos worth mentioning such as Brittany Snow (Would You Rather) who plays “Three” and has a saucy little scene.
Jun 7, 2013 · Sex sells. That's the deceptively elementary premise behind Syrup, Aram Rappoport's frenetic and exceedingly disjointed adaptation of the same-named novel by Max Barry. The movie sets its sights ...
May 15, 2013 · The Bad: Though Syrup is a rom-com, it doesn't really feel that way. The film isn't sure whether it wants to be a rom-com, a comedy, or drama even. What I mean is, there are some laughs but not enough for a full-fledge comedy. There's the sexual tension between Scat and Six, but not enough to go full-on romance, and there's quite a bit of drama ...
Jun 12, 2013 · Shiloh Fernandez, Amber Heard, and Kellan Lutz star in Aram Rappaport's corporate comedy-drama Syrup. The critical difference between marketing and art, claims Syrup at a crucial narrative juncture, is the latter’s evaluation of idea above commercial value—if any—rather than vice-versa, as in the former.
Syrup (film) Syrup. (film) Syrup is a 2013 American comedy drama film directed by Aram Rappaport and based on the 1999 novel of the same name by Max Barry. [3] Its video on demand release date was on May 1, 2013, and its US theater release date was on June 7, 2013. [4] This was Christopher Evan Welch's final film role before his death 6 months ...
Jul 11, 2013 · Syrup has a low budget for a film about skewering image conscious consumerism set in New York City, but it doesn’t harm the material or what Rappaport and Barry – who adapts his own work for the screen here – are doing with it. It seems that part of the appeal of Syrup is for everything to move so fast that the artifice becomes substance ...
