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  1. Jan 9, 2012 · Considering that it cheerfully abandons any attempt at chronological suspense, "The Killing" is an unreasonable success. The prize will be $2 million--the day's expected total receipts at the track. This heist is worth a lot of planning, and Johnny has gone the distance. In his mind his plan is superb.

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  2. Rated 3.5/5 Stars • Rated 3.5 out of 5 stars 05/25/24 Full Review Brian H 'The Killing' is Stanley Kubrick's most underrated movie. It's time-shifting narrative is a work of pure genius, and you ...

    • (47)
    • Sterling Hayden
    • Stanley Kubrick
    • Crime, Drama
  3. Full Review | Dec 3, 2019. The Killing (1956) is a stylish but stark film noir crime drama, and the definitive heist-caper movie - a story of greed and infidelity. The classic, dark-edged black ...

  4. The film was shot in and around Bay Meadows racetrack so it looks very real. Stanley Kubrick got such good reviews for this and deservedly so that Kirk Douglas hired him to direct the much bigger budgeted Paths of Glory. A career was born. The Killing is a finely edited and finely crafted piece of movie making.

  5. The Killing: Directed by Stanley Kubrick. With Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen. Crook Johnny Clay assembles a five-man team to plan and execute a daring racetrack robbery.

    • (98K)
    • Crime, Drama, Film-Noir
    • Stanley Kubrick
    • 1956-06-06
  6. The Killing is a 1956 American film noir directed by Stanley Kubrick and produced by James B. Harris. [4] It was written by Kubrick and Jim Thompson and based on Lionel White 's novel Clean Break. It stars Sterling Hayden, Coleen Gray, and Vince Edwards, and features Marie Windsor, Elisha Cook Jr., Jay C. Flippen and Timothy Carey.

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  8. Sep 15, 2013 · The Killing, a blisteringly taut decimation of post-World War II entitlement, understands this better than perhaps any other crime film. Stanley Kubrick’s third feature transports the moral contortions of noir to the pressure-cooker atmosphere of the track, infusing it all with a dread-inducing uncertainty.

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