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May 18, 2015 · Cut out dictionary definitions of ‘flux’, which emphasise its bodily character – a flow of fluids and discharge – were interrupted by his handwritten statements calling for a fusion between art and reality.” Ono’s Cut Piece fits this brief perfectly.
Cut Piece 1964 is a pioneer of performance art and participatory work first performed by Yoko Ono on July 20, 1964, at the Yamaichi Concert Hall in Kyoto, Japan. [1] It is one of the earliest and most significant works of the feminist art movement and Fluxus.
Feb 18, 2017 · Ono’s Cut Piece was the first performance piece to address the potential for sexual violence in public spectacle. It is also among the first examples of Performance Art. During the sixties, Ono gravitated toward the circles of artists participating in “happenings,” and held events at her own loft at 112 Chambers Street in New York City.
Jun 19, 2015 · “ Cut Piece involves three interlinking gestures,” she writes, “the invitation, the sacrifice, and the souvenir.” By soliciting audience participation, Ono invites them to collude with her and asserts her own control over the situation.
Dec 6, 2017 · It is a constant and fluid piece of work, one that continuously surprises the viewer. There has been analysis done that imagines this piece is a protest against war, particularly the atomic bombing of Hiroshima. The way Ono’s clothing is cut and torn replicates the clothing of the people of Japan after the bomb fell.
Cut Piece (1964) performed by Yoko Ono in New Works of Yoko Ono, Carnegie Recital Hall, New York, March 21, 1965. Photo: Minoru Niizuma. Courtesy of Yoko Ono. © Minoru Niizuma 2015. Curator, Christophe Cherix: In Cut Piece, members of the audience were invited to approach and cut away pieces of Ono’s clothing, as she knelt silently on a stage.
Jan 17, 2005 · Abstract. Staged five times by Yoko Ono between 1964 and 1966, Cut Piece has been interpreted in a variety of ways, including an exploration of sadism/masochism and violence/victimization. It has also been discussed in terms of feminist discourses on the female body and the male gaze.
