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Film noir ( / nwɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
- Italian Neorealism
Italian neorealism (Italian: Neorealismo), also known as the...
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Expressionism is a modernist movement, initially in poetry...
- Robert Siodmak
Early life. Siodmak was born in Dresden, Germany, the son of...
- Stranger on The Third Floor
Stranger on the Third Floor is a 1940 American film noir...
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The Big Combo is a 1955 American crime film noir directed by...
- Italian Neorealism
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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2 days ago · Sunset Boulevard (1950)98%. #5. Critics Consensus: Arguably the greatest movie about Hollywood, Billy Wilder's masterpiece Sunset Boulevard is a tremendously entertaining combination of noir, black comedy, and character study. Synopsis: An aging silent film queen refuses to accept that her stardom has ended.
Mar 18, 2001 · Produced by. Charles H. Joffe. I had forgotten what perfect pitch Woody Allen brought to ''Manhattan"-- how its tone and timing slip so gracefully between comedy and romance. I hadn't seen it in years, and remembered mostly the broad outlines, the one-liners, the romance between a middle-aged man and a high school girl.
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The film opens with a montage of images of Manhattan and other parts of New York City accompanied by George Gershwin's Rhapsody in Blue, with Isaac Davis narrating drafts of an introduction to a book about a man who loves the city. Isaac is a twice-divorced, 42-year-old television comedy writer who quits his boring job. He is dating Tracy, a 17-yea...
Development
According to Allen, the idea for Manhattan originated from his love of Gershwin's music. He was listening to one of the composer's albums of overtures and thought, "this would be a beautiful thing to make ... a movie in black and white ... a romantic movie." Allen has said that Manhattan was "like a mixture of what I was trying to do with Annie Hall and Interiors"and that it deals with the problem of people trying to live a decent existence in an essentially junk-obsessed contemporary culture...
Filming
Allen talked to cinematographer Gordon Willis about how fun it would be to shoot the film in black and white, Panavision aspect ratio (2.35:1) because it would give "a great look at New York City, which is sort of one of the characters in the film". Allen decided to shoot his film in black and white because that was how he remembered it from when he was small. "Maybe it's a reminiscence from old photographs, films, books and all that. But that's how I remember New York."The film was shot on l...
Music
All titles of the soundtrack were compositions by George Gershwin. They were performed by the New York Philharmonic under Zubin Mehta and the Buffalo Philharmonic under Michael Tilson Thomas. 1. New York Philharmonic 1.1. Rhapsody in Blue 1.2. "Love is Sweeping the Country" 1.3. "Land of the Gay Caballero" 1.4. "Sweet and Low Down" 1.5. "I've Got a Crush on You" 1.6. "Do-Do-Do" 1.7. "'S Wonderful" 1.8. "Oh, Lady Be Good!" 1.9. "Strike Up the Band" 1.10. "Embraceable You" 2. Buffalo Philharmon...
Manhattan premiered at the Ziegfeld Theatre in New York City on April 18, 1979. It opened in 27 theaters in New York City, Los Angeles and Toronto on April 25, then expanded to an additional 256 theaters nationwide on May 4, before adding a further 117 screens a week later. The film was shown out of competition at the 1979 Cannes Film Festivalin Ma...
Box office
The film grossed $485,734 ($16,749 per screen) in its opening weekend and after expanding nationwide, it had grossed $3.5 million after 13 days. It grossed $39.9 million in its entire run in the United States and Canada, making the film the 17th highest-grossing picture of the year. Adjusted for ticket price inflation (as of 2017), Manhattan grossed $141,484,800, making it Allen's second biggest box-office hit, following 1977's Annie Hall.
Critical response
The film received largely positive reviews and holds a rating of 94% on Rotten Tomatoes based on reviews from 68 critics, with an average rating of 8.5/10. The website's consensus reads, "One of Woody Allen's early classics, Manhattancombines modern, bittersweet humor and timeless romanticism with unerring grace." Gary Arnold, in The Washington Post, wrote: "Manhattan has comic integrity in part because Allen is now making jokes at the expense of his own parochialism. There's no opportunity t...
Accolades
New York Film Critics Circle named Allen best director for Manhattan. The National Society of Film Critics also named Allen best director along with Robert Benton, who directed Kramer vs. Kramer. The film was nominated for Academy Awards for Best Supporting Actress (Mariel Hemingway) and Best Original Screenplay (Allen and Marshall Brickman). It also won the BAFTA Award for Best Film and the César Award for Best Foreign Film. In Empire magazine's 2008 poll of the 500 greatest movies ever made...
Allen wanted to preserve Willis's compositions and insisted that the aspect ratio be preserved when the film was released on video (an unusual request in a time when widescreen films were normally panned and scanned for TV and video release). As a result, all copies of the film on video (and most television broadcasts) were letterboxed, originally ...
Manhattan's screenplay was performed in front of a live audience at the Los Angeles County Museum of Art on November 15, 2012, as part of Jason Reitman's Live Read series. Actors read the script, narrowed to six speaking parts, and still photographs from the movie were projected behind them. The cast included Stephen Merchant as Isaac Davis, Olivia...
Baxter, John (1999). Woody Allen: A Biography (Revised paperback ed.). London: Harper Collins. ISBN 0-00-638794-2.Bjorkman, Stig (1995) [1993]. Woody Allen on Woody Allen. London: Faber and Faber. ISBN 0-571-17335-7.Brode, Douglas (1987). Woody Allen: His Films and Career. Citadel Press.Fox, Julian (1996). Woody: Movies from Manhattan. Overlook.Manhattan at IMDbManhattan at AllMovieManhattan at Box Office MojoManhattan at Rotten TomatoesCast. Woody Allen Diane Keaton Michael Murphy Mariel Hemingway Meryl Streep Anne Byrne Hoffman Karen Ludwig Michael O'Donoghue Gary Weis Kenny Vance Tisa Farrow Damion Sheller Wallace Shawn Helen Hanft Bella Abzug Victor Truro Charles Levin Karen Allen David Rasche Mark Linn-Baker Frances Conroy Bill Anthony John Doumanian Raymond Serra Tobin ...
9. Relationships in which love is only the final flop card in the poker game of death. 10. The most American film genre, because no society could have created a world so filled with doom, fate, fear and betrayal, unless it were essentially naive and optimistic. Be sure to see Ebert’s full piece here.
