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  1. Union with France (1501–1504) Upon his death in 1480, René of Anjou transferred his claim to his nephew, Charles IV, Duke of Anjou. Charles died in 1481 and willed his claim to Louis XI of France. His son Charles VIII attempted to take Naples by force, but failed and died childless in 1498.

  2. Charles II of Naples. Charles II, also known as Charles the Lame ( French: Charles le Boiteux; Italian: Carlo lo Zoppo; 1254 – 5 May 1309), was King of Naples, Count of Provence and Forcalquier (1285–1309), Prince of Achaea (1285–1289), and Count of Anjou and Maine (1285–1290); he also was King of Albania (1285–1294), and claimed the ...

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  4. Alfonso II of Asturias ( c. 760 – 842), nicknamed the Chaste ( Spanish: el Casto ), was the king of Asturias during two different periods: first in the year 783 and later from 791 until his death in 842. Upon his death, Nepotian, a family member of undetermined relation, attempted to usurp the crown in place of the future Ramiro I .

  5. Alfonso II of Naples (4 November 1448-18 December 1495) was the King of Naples from 1494 to 1495, succeeding Ferrante I of Naples and preceding Ferrante II of Naples, and King of Sicily from 1494 to 1495. Alfonso was the oldest son of Ferrante I of Naples and Isabella de Clermont, and was a cousin of Fernando II of Aragon. Alfonso became the new claimant to the throne of the Kingdom of ...

  6. hire not only Agricola, but Ghiselin as well. Thus it is Alfonso II's interest that explains the two composers' presence Naples in 1494. As noted, Alfonso could not possibly have summoned. from France between the time he became king, on 25 January and the date of Dovizi's first letter, o1 February.

  7. Alfonso Alfonso II King of Naples and Jerusalem, Duke of Calabria of Naples (Trastámara) aka de Aragón (4 Nov 1448 - 18 Dec 1495) 0 references museum-digital person ID

  8. But it is. Alfonso II and the Artistic Renewal likely that the many departures from the original in the Naples. 'copy' - for instance the different pilaster arrangement, of Naples narrower reveals in Naples, the quite different frieze etc. - are largely due to the architect in charge in the SIR, I note that two of your contributors disagree ...

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